Plan: Plans
Bull: Bulletin
Suppl: Supplement
Book reviews are recognisable because the reviewer's name is given, following the words Reviewed by:.
On early 16th century lute barring and bridge placement.
Segerman Abbott.
[C-1 in Q1]
The problem of double bridges on 15th century illustrations of rebecs.
Rooley.
[C-2 in Q1]
Gut strings.
Segerman Abbott.
[C-3 in Q1]
An inductive thickness gauge.
Edmunds.
[C-4 in Q1]
Geometric description and analysis of instrument shapes.
Abbott Segerman.
[C-5 in Q2]
Some thoughts on a file of musical instruments.
Abbott Segerman.
[C-6 in Q2]
Sources of information on authentic lutes.
Abbott Segerman.
[C-7 in Q2]
Some manuscripts in the British Library with musical instruments and a few other sources.
Montagu.
[C-8 in Q2]
Pictures etc in the Ashmolean Museum.
Downing.
[C-8a in Q2]
Comments on the catalogue of the V&A Museum.
Montagu.
[C-9 in Q2]
Attitude to musical instrument conservation and restoration.
O'Brien.
[C-10 in Q3]
Proposal for a computer-based index of data concerning historical documents.
Theakston.
[C-11 in Q3]
Musical instruments in Jean de Gerson's Tractatus de Canticis.
Page.
[C-12 in Q3]
Musical instruments in medieval Latin biblical glosses.
Page.
[C-13 in Q3]
References to string materials in some medieval texts.
Page.
[C-14 in Q3]
Historical background to the strings used by catgut scrapers.
Segerman Abbott.
[C-15 in Q3]
On the Palmer orpharion.
Segerman Abbott.
[C-16 in Q3]
Regarding lute pegs and bridges.
Curry.
[C-17 in Q3]
Early percussion instruments from the middle ages to the baroque.
Blades, Montagu.
Reviewed by: Bowles
[C-18 in Q3]
Making early percussion instruments.
Montagu.
Reviewed by: Bowles
[C-19 in Q3]
A survey of musical instruments.
Marcuse.
Reviewed by: Montagu
[C-20 in Q3]
The construction of a monochord.
Montagu.
[C-21 in Q4]
The polishing of metal surfaces.
Betts.
[C-22 in Q4]
Some notes on the use of benzotriazole as a preservative for copper and alloys of high copper content.
Betts.
[C-23 in Q4]
A substitute for ivory.
Taggart.
[C-24 in Q4]
A 16th century French description of gut strings in Turkey.
Wright.
[C-25 in Q4]
The Early Musical Instrument Makers Association Limited.
Morley.
[C-26 in Q4]
A letter to Editors of periodicals with interests in historical instruments.
Abbott Segerman Montagu.
[C-27 in Q4]
A note on the preparation and distribution of instrument designs.
Abbott Segerman.
[C-28 in Q4]
Design information for lute makers.
Segerman Abbott.
[C-29 in Q4]
On single, octave or unison courses in early stringed instruments.
Segerman Abbott.
[C-30 in Q4]
Italian harpsichords, Wraight
[Plan in Q5]
A reconstruction of the Bosch hurdy-gurdy.
Tolley.
[C-31 in Q5]
Burning as an alternative to boring.
Hailperin.
[C-32 in Q5]
Colouring of instruments.
Lawrence.
[C-33 in Q5]
On bending woods.
Hachez.
[C-34 in Q5]
An ivory substitute.
Hachez.
[C-35 in Q5]
Lessons about the naming of instruments offered by the early guitar and violin.
Segerman Abbott.
[C-36 in Q5]
Comments on C-41.
Segerman.
[C-36a in Q5]
Praetorius and the viola bastarda.
Abbott Segerman.
[C-37 in Q5]
Praetorius and English pitch standards in the 17th century.
Segerman Abbott.
[C-38 in Q5]
On the string length of the 16th century vihuela da mano.
Segerman Abbott.
[C-39 in Q5]
Why are lute pegboxes bent back?
Segerman Abbott.
[C-40 in Q5]
Lute pegboxes and necks.
Samson.
[C-41 in Q5]
Museums, commercialism and instrument drawings.
Segerman Abbott.
[C-42 in Q5]
Notes on the Horniman Museum Handbook.
Montagu.
[C-43 in Q5]
Comments on C-29.
Segerman Abbott.
[C-43a in Q5]
Instruments of the middle ages and renaissance.
Munrow.
Reviewed by: Segerman
[C-44 in Q5]
The world of medieval and renaissance musical instruments.
Montagu.
Reviewed by: Segerman
[C-44 in Q5]
List Metropolitan Museum of Art, New York
[Plan in Q6]
FoMRHI rules.
[C-** in Q6]
Renaissance transposing keyboard instruments.
Meeùs.
[C-45 in Q6]
Recommendations for drawings of keyboard instruments.
Barnes.
[C-46 in Q6]
Lute pegboxes in pictures 1600-1800.
Samson.
[C-47 in Q6]
The twelve-course lute.
Samson.
[C-48 in Q6]
Classic guitar shape.
Ecker.
[C-49 in Q6]
Jerome of Moravia and bridge curvature in the medieval fiddle.
Segerman Abbott.
[C-50 in Q6]
Some speculations on medieval fiddle technique.
Segerman Abbott.
[C-51 in Q6]
What is a musical instrument?
Marvin.
[C-52 in Q6]
The words authentic and original.
Segerman.
[C-53 in Q6]
Felling your own timber.
Rawson.
[C-54 in Q6]
Some notes on C-39.
Gill.
[C-39a in Q6]
Instruments of the middle ages and renaissance (part 1).
Munrow.
Reviewed by: Segerman
[C-44a in Q6]
Reports on FoMRHI seminars Syrus.
Montagu.
[C-55 in Q7]
FoMRHI book news.
Montagu.
[C-56 in Q7]
Renaissance transposing keyboard instruments II.
Meeùs.
[C-57 in Q7]
Jerome of Moravia.
Baines.
[C-58 in Q7]
The names, string lengths and pitch standards of extended-neck lutes in the 17th century.
Abbott Segerman.
[C-59 in Q7]
Instrument research through artist's depiction.
Ecker.
[C-60 in Q7]
Some comments on C-60.
Montagu.
[C-60a in Q7]
Detection of reinforcing bars in instruments.
Wood.
[C-61 in Q7]
Bending irons.
Garrod, Abbott, Young.
[C-62 in Q7]
On measures of instruments in museums.
Segerman, Abbott.
[C-63 in Q7]
Freighting instruments from the U.K.
Wood.
[C-64 in Q7]
In defence of C-40.
Segerman.
[C-40a in Q7]
Instruments of the middle ages and renaissance (part 2).
Munrow.
Reviewed by: Segerman
[C-44b in Q7]
List V&A Museum, London
[Plan in Q8]
On the sizes of renaissance and baroque viols and violins.
Segerman.
[C-65 in Q8]
The range of pitch with gut strings of a given length.
Samson.
[C-66 in Q8]
Principal instruments of 14th century Italy and their structural features.
Mayor Brown.
[C-67 in Q8]
Comments on technical drawings and photographs of musical instruments.
Lee.
[C-68 in Q8]
On the dangers of becoming an established scholar.
Segerman.
[C-69 in Q8]
Profile turning of reamer blanks for use in woodwind.
Cameron.
[C-70 in Q8]
Humidity cycling for stabilisation of gut and wood.
Abbott Segerman Rolfe.
[C-71 in Q8]
The manufacture of musical instruments.
Tullberg.
Reviewed by: Montagu
[C-72 in Q8]
Musical instruments of the world.
Diagram_group.
Reviewed by: Montagu
[C-73 in Q8]
Comment on C-10: attitudes to musical instrument conservation and restoration by O'Brien.
Barnes.
[C-10a in Q8]
Comments on comments (C-39a) on C-39.
Segerman Abbott.
[C-39b in Q8]
The world of medieval and renaissance musical instruments (part 1).
Montagu.
Reviewed by: Segerman
[C-44c in Q8]
On prematurity of communication.
Segerman Abbott.
[C-58a in Q8]
Medieval carvings of musical instruments in St Mary's Church Shrewsbury.
Wright.
[C-74 in Q8]
Notes on the barring of an Arabian lute.
Downing.
[C-75 in Q9]
Notes on the preservation and repair of the shakuhachi.
Mayers.
[C-76 in Q9]
Restoration of cupped Flemish wrestplanks.
Lee.
[C-77 in Q9]
Profiling and tuning of viol front plates.
Strahle.
[C-78 in Q9]
Another note concerning Praetorius's pitch standards.
Segerman.
[C-79 in Q9]
Some reflections on the acoustics of the cornett.
Leguy.
[C-80 in Q9]
The string formula.
van Pelt.
[C-81 in Q9]
Comment on C-81.
Segerman Abbott.
[C-82 in Q9]
Wrought iron music wire.
Karp.
[C-83 in Q9]
Accuracy of measurement of woodwinds and the exact copy.
Karp.
[C-84 in Q9]
More comments on measured drawings of keyboard instruments.
Debenham.
[C-85 in Q9]
On measurement.
Robinson.
[C-86 in Q9]
On C-67.
Hailperin.
[C-87 in Q9]
A reasoned and practical approach to mean-tone fretting.
Segerman Abbott.
[C-88 in Q9]
On medieval and early renaissance tunings and fretting patterns.
Segerman.
[C-89 in Q9]
Katalog der Streichinstrumente Berlin.
Reviewed by: Montagu
[C-90 in Q9]
Preservation and restoration of musical instruments.
van der Meer, Thibault.
Reviewed by: Montagu
[C-91 in Q9]
International dictionary of musical instruments.
Jenkins.
Reviewed by: Montagu
[C-92 in Q9]
The world of medieval and renaissance musical instruments.
Montagu.
Reviewed by: Segerman (part 2)
[C-44d in Q9]
Report on the 16th century seminar.
Montagu Segerman.
[C-93 in Q10]
Some thoughts on gut string history before 1600.
Segerman.
[C-94 in Q10]
A correction to C-50 on Jerome of Moravia's second fiddle tuning.
Segerman.
[C-95 in Q10]
A hypothesis on the symphony.
Montagu.
[C-96 in Q10]
Cetra et cetera.
Allworth.
[C-97 in Q10]
Lead in harpsichord keyboards.
Rawson.
[C-98 in Q10]
Seasoning your own timber.
Rawson.
[C-99 in Q10]
Early musical instruments for school construction.
Tolley Roscow Allison.
[C-100 in Q10]
On C-76 and woodwind crack repair.
Karp.
[C-101 in Q10]
Overspun strings.
Karp.
[C-102 in Q10]
The interaction between gut string technology and instrument ranges and sizes up to the 18th century.
Segerman.
[C-103 in Q10]
A description of the early Irish harp.
Hobrough.
[C-104 in Q10]
About old music wire.
Gug.
[C-105 in Q10]
Basic keyboard tuning techniques.
Karp.
Reviewed by: Montagu
[C-106 in Q10]
The world of medieval and renaissance musical instruments.
Montagu.
Reviewed by: Segerman (part 3)
[C-44e in Q10]
hurdy-gurdy drawing.
Varquin.
Reviewed by: Tolley
[C-107 in Q10]
Old harpsichords, their construction and restoration.
Scheurwater, van Acht.
Reviewed by: Barnes
[C-108 in Q10]
Die musikinstrumente im Seiermarkischen Landeszeughaus in Graz.
Stradner.
Reviewed by: Montagu
[C-109 in Q10]
Musikinstrumenter ved Ringve Museum.
Kjeldsberg.
Reviewed by: Montagu
[C-110 in Q10]
Klemt og Klang; Ringve Museum.
Kjeldsberg.
Reviewed by: Montagu
[C-110a in Q10]
Studia Instrumentorum Musicae Popularis, Musikhistoriska museets skrifter.
Stockmann.
Reviewed by: Montagu
[C-111 in Q10]
List Brussels Museum.
[Plan in Q11]
List Société des Amis du Musée Instrumental, Paris
[Plan in Q11]
The compass of the Royal College of Music clavicytherium.
Debenham.
[C-112 in Q11]
Reproductions.
Garrod.
[C-113 in Q11]
On the construction of Ruckers harpsichords.
Gug.
[C-114 in Q11]
More about drawings of keyboard instruments.
Barnes.
[C-115 in Q11]
The circulation of restoration reports: restoration of square piano c.1820 by Gaiser.
Barnes.
[C-116 in Q11]
Documentation of a Fort'e Piano mechanism once existing in the Giusti harpsichord.
Sutherland.
[C-117 in Q11]
A Ganassi flauto.
Marvin.
[C-118 in Q11]
Three full-sized line drawings of historical wind instruments.
Cousen.
[C-119 in Q11]
Reed-gouging tool.
Holmes.
[C-120 in Q11]
Woodwind measurements.
Whinray.
[C-121 in Q11]
A shaper for recorder block blanks.
Whinray.
[C-122 in Q11]
Information on regals and foreign language dictionaries.
Young.
[C-123 in Q11]
An analysis of the fretting of the Canpi cittern at the Royal College of Music in London.
Segerman.
[C-124 in Q11]
On C-97: Cetra fret blocks.
Segerman.
[C-125 in Q11]
Twist your strings to improve tone and fretting accuracy.
Segerman Abbott.
[C-126 in Q11]
More comments on C-39, 39a and 39b.
Gill.
[C-127 in Q11]
The Maler and Frei lutes - some observations.
Downing.
[C-128 in Q11]
String tension on Mersenne's lute.
Segerman.
[C-129 in Q11]
Clean edges on gold leaf.
Douglas.
[C-130 in Q11]
Some historical notes on acid staining.
Owen.
[C-131 in Q11]
Two simple varnishes.
Rubin.
[C-132 in Q11]
A gauge for measuring front-plate thickness profiles of viols.
Strahle.
[C-133 in Q11]
On wire-comms and wire-comm comments.
Karp.
[C-134 in Q11]
A proposed device for more accurate acoustical duplication of stringed instruments.
Segerman.
[C-135 in Q12]
Speculations on the renaissance viol, the ubiquity of soundholes bracketed by bars, and the history of soundposts.
Segerman.
[C-136 in Q12]
Strings, twisted and Mersenne.
Karp.
[C-137 in Q12]
Catline strings.
Abbott Segerman.
[C-138 in Q12]
Metal-covered threads before 1600.
Montagu.
[C-139 in Q12]
Making lute pegs.
Miller.
[C-140 in Q12]
A cut lute recorded.
Samson.
[C-141 in Q12]
Bologna lutes - comments on C-128.
Samson.
[C-142 in Q12]
The Baffo virginal.
Shann.
[C-143 in Q12]
Basic clavichord design.
Rawson.
[C-144 in Q12]
Method of woodwind frequency measurement data treatment.
Raudonikas.
[C-145 in Q12]
Nuts, bolts and plugs.
Marvin.
[C-146 in Q12]
Comments on a visit to the State Institute of Theatre, Music and Cinematographie (Leningrad).
Moore.
[C-147 in Q12]
FoMRHI book news.
Montagu.
[C-148 in Q12]
Musical instruments of the West.
Remnant.
Reviewed by: Montagu
[C-149 in Q12]
Jahresschrift 22 1976.
Salzburger Museum Carolino Augusteum.
Reviewed by: Montagu
[C-149 in Q12]
Die Holzblas Instrumente im Salzburger Museum Carolino Augusteum.
Birsak.
Reviewed by: Montagu
[C-149 in Q12]
Arcadia at Versailles.
Leppert.
Reviewed by: Montagu
[C-149 in Q12]
Intervallic hearing, its nature and pedagogy.
Szende.
Reviewed by: Montagu
[C-149 in Q12]
Die Römische Orgel von Aquincum.
Kaba.
Reviewed by: Montagu
[C-149 in Q12]
The physics of music.
Hutchins.
Reviewed by: Montagu
[C-150 in Q13]
Making musical instruments.
Tolley.
Reviewed by: Montagu
[C-151 in Q13]
18th century musical instruments in the National Museum Dublin, with notes on a English guitar 1764 by Gibson.
Doyle.
[C-152 in Q13]
Longnecks.
Kimbel Lupus.
[C-153 in Q13]
Mace's theorbo from Musick's Monument, 1676.
Miller.
[C-154 in Q13]
A red herring on Praetorius's foot.
Segerman Young.
[C-155 in Q13]
Two-headed lute news.
Vang Segerman.
[C-156 in Q13]
Musical sculptures in medieval Burgundy.
Henning.
[C-157 in Q13]
On the sizes of surviving English viols.
Segerman.
[C-158 in Q13]
The Giusti harpsichord in the Stearns collection.
Barnes.
[C-159 in Q13]
More about instrument drawings.
Barnes Mactaggart.
[C-160 in Q13]
Computing cents with a pocket calculator.
Meeùs.
[C-161 in Q13]
A string calculator.
Abbott Segerman.
[C-162 in Q13]
Overspun string calculations.
Segerman Abbott.
[C-163 in Q13]
On twisted metal strings and Mersenne's data.
Segerman Abbott.
[C-164 in Q13]
On C-86.
Robinson.
[C-165 in Q13]
Safety with woodworking machines.
Rawson.
[C-166 in Q13]
Vellum and parchment roses.
Rawson.
[C-167 in Q13]
Planes for shaping arched bellies of stringed instruments.
Young.
[C-168 in Q13]
Comments on humidity cycling.
Wraight.
[C-169 in Q13]
Blown resonance of baroque transverse flute: I pitch axis and wind bands.
Raudonikas.
[C-170 in Q13]
The bassoon, part I.
Jansen.
Reviewed by: Montagu
[C-171 in Q14]
volume 1, no. 1.
Divisions.
Reviewed by: Montagu
[C-172 in Q14]
A possible soundboard finish for lutes and guitars.
Harwood.
[C-173 in Q14]
On the time of invention of overspun strings.
Abbott Segerman.
[C-174 in Q14]
The identity of 18th century 6-course lutes.
Hodgson.
[C-175 in Q14]
Early 16th century lute constructions.
Hodgson.
[C-176 in Q14]
A table to convert plain gut string sizes to equivalent overwound string specifications.
Hodgson.
[C-177 in Q14]
Mensur? Ugh! Segerman
[C-178 in Q14]
Fret distances from the nut for every interval above the open string.
Abbott Segerman Spencer.
[C-179 in Q14]
Making reamers on a shoestring.
Marvin.
[C-180 in Q14]
Blown resonance of baroque transverse flute: II characteristic frequency.
Raudonikas.
[C-181 in Q14]
Planning a workshop.
Rawson.
[C-182 in Q14]
On Mersenne's twisted data and metal strings.
Karp.
[C-183 in Q14]
Notes on European harps.
Hobrough.
[C-184 in Q14]
Peg taper finisher and cutter.
Mather.
[C-185 in Q14]
The viola pomposa.
Smith.
[C-186 in Q14]
More on the sizes of English (and other) viols.
Segerman Abbott.
[C-187 in Q14]
Making musical instruments.
Ford.
Reviewed by: Montagu
[C-188a in Q15]
Making musical instruments.
Ford.
Reviewed by: Segerman
[C-188b in Q15]
Making musical instruments.
Ford.
Reviewed by: Barnes
[C-188c in Q15]
Lute construction.
MacLeod-Coupe.
Reviewed by: Hodgson
[C-189 in Q15]
The bassoon, part I (plates).
Jansen.
Reviewed by: Montagu
[C-190 in Q15]
Intervals, scales and temperaments.
Boyle.
Reviewed by: Montagu
[C-191 in Q15]
Cornett and Sackbut, journal.
Reviewed by: Montagu
[C-192 in Q15]
Musikinstrumenten Museum Leipzig band 1 Flöten.
Heyde.
Reviewed by: Montagu
[C-193 in Q15]
The development of the calachon.
Hodgson.
[C-194 in Q15]
Soundhole migration in the development of the lute.
Downing.
[C-195 in Q15]
Early 16th century lute construction.
Downing.
[C-196 in Q15]
Woodwind making techniques.
Cameron.
[C-197 in Q15]
Soundboard finishes.
Shann.
[C-198 in Q15]
Mersenne untwisted.
Segerman.
[C-199 in Q15]
A method for making traditional tuning pins.
Barnes.
[C-200 in Q15]
Artificial ivory made from milk.
Pereira.
[C-201 in Q15]
Inventory of the workshop of Kejcher, Krakow (1548-1599).
Ducept.
[C-202 in Q15]
The Memling Angel Musicians Psaltery.
Kottick.
[C-203 in Q15]
Making a fraize.
McCrone.
[C-204 in Q15]
A gouge for measuring thickness of musical instrument soundboards.
Tourin.
[C-205 in Q15]
On Chladni-plate tuning of baroque viol soundboards.
Segerman.
[C-206 in Q15]
Further to C-145 and C-80.
Leguy.
[C-207 in Q15]
Making musical instruments.
Tolley.
Reviewed by: Baines
[C-208 in Q16]
Baroque guitar (record).
Hope.
Reviewed by: Montagu
[C-209 in Q16]
The bassoon, part II.
Jansen.
Reviewed by: Montagu
[C-210 in Q16]
Musical instrument conservation and technology journal.
Reviewed by: Montagu
[C-211 in Q16]
Divisions, volume 1, no. 2.
Reviewed by: Montagu
[C-212 in Q16]
Musical instruments at the University of Iowa.
Ross.
Reviewed by: Montagu
[C-213 in Q16]
Diderot, viols and false tables.
Miller.
[C-214 in Q16]
On baroque lute strings and tunings.
Segerman.
[C-215 in Q16]
Acoustics, appearance and authenticity - are our priorities right?
Samson.
[C-216 in Q16]
The 3 R's: responses, rejoinders and reminders to C-216.
Hodgson.
[C-217 in Q16]
Further to C-216.
Segerman.
[C-218 in Q16]
Early 16th century lute reconstructions.
Hodgson.
[C-219 in Q16]
Tonal balance and bar depths.
Samson.
[C-220 in Q16]
An acoustical problem.
Montagu.
[C-221 in Q16]
On accuracy of measurements.
Pereira.
[C-222 in Q16]
On seasoning timber.
Gould.
[C-223 in Q16]
A note on electronic tuning aids.
Gould.
[C-224 in Q16]
The cataloguing of instruments and associated references.
Holmes.
[C-225 in Q16]
A serviceable early baroque flauto.
Marvin.
[C-226 in Q16]
Making double reeds for renaissance wind instruments.
Meyer Kottick.
[C-227 in Q16]
Note on titebond.
Butler.
[C-228 in Q17]
Blown resonance of baroque transverse flute: III influence of cork position alteration.
Raudonikas.
[C-229 in Q17]
Small planes.
Williams.
[C-230 in Q17]
Standards for instrument plans.
Williams.
[C-231 in Q17]
On the information in instrument drawings.
Segerman.
[C-232 in Q17]
A jig for preparing and glueing lute neck joints.
Ellis.
[C-233 in Q17]
Parchment roses.
Theakston.
[C-234 in Q17]
Parchment roses.
Kemner.
[C-235 in Q17]
The collection of Ukranian folk instruments at Kiev.
Zajaruzny.
[C-236 in Q17]
Dental acrylic.
Mercer.
[C-237 in Q17]
Jewelery in wood etc.
Samson.
[C-238 in Q17]
Comment on C-227.
Gould.
[C-239 in Q17]
Some original receipts, appertaining to the varnishes of lutes in Italy.
Forrester.
[C-240 in Q17]
Crumhorns - a letter from Hanchet to Montagu.
[C-241 in Q17]
Crafts Council Conservation Sourcebook.
Reviewed by: Montagu
[C-242 in Q17]
Method for the vielle or hurdy-gurdy.
Muskett.
Reviewed by: Tolley
[C-243 in Q17]
Bar Consort Earl Music (record).
Toll.
Reviewed by: Montagu
[C-244 in Q17]
The bassoon, part II (plates) & III.
Jansen.
Reviewed by: Montagu
[C-245 in Q17]
List Société des Amis du Musée Instrumental, Paris
[Plan in Q18]
List of plans.
Paris Conservatoire.
[C-246 in Q18]
Adhesive bonding in musical instrument construction.
Brown.
[C-247 in Q18]
Response to Butler's C-228: more on titebond.
Cumpanio.
[C-248 in Q18]
Adhesive for the cornetto maker.
Drake.
[C-249 in Q18]
String keyboard instruments.
Rawson.
[C-250 in Q18]
Some thoughts on manufacture and production.
Montagu.
[C-251 in Q18]
More on computer catalogues.
Holmes.
[C-252 in Q18]
Theory of viol design - I.
Segerman.
[C-253 in Q18]
Making woodwind keys.
Bigio.
[C-254 in Q18]
This quarter's good cause: the FoMRHI book list.
Hobrough.
[C-255 in Q18]
Files and benches.
Hobrough.
[C-256 in Q18]
Old keyboard tablature used in making organ pipes.
Pereira.
[C-257 in Q18]
Untitled.
Spalding.
[C-258 in Q18]
Notes on the drawings and photographs of the liuto attiorbato by Choc in the V&A museum.
Lourie.
[C-259 in Q18]
Position of bridge and bars regarding tone production.
Mather.
[C-260 in Q18]
The bassoon, part IV.
Jansen.
Reviewed by: Montagu
[C-261 in Q18]
Zeugnisse alter Musik XI, 1980.
Reviewed by: Montagu
[C-262 in Q18]
Divisions, volume 1, no. 3.
Reviewed by: Montagu
[C-263 in Q18]
Mechanical musical instruments as a source for the study of notes inégales.
Fuller.
Reviewed by: Montagu
[C-264 in Q18]
Indirizzi di ricerca su strumenti pre-rinascimentali.
Tiella.
Reviewed by: Montagu
[C-265 in Q18]
The renaissance clavichord I & II (records).
Brauchli.
Reviewed by: Montagu
[C-266 in Q18]
List Royal College of Music, London
[Plan in Q19]
Lute body manufacture - the authentic way.
Downing.
[C-267 in Q19]
Is restoration doomed.
Rawson.
[C-268 in Q19]
Viol dimensions.
Tourin.
[C-269 in Q19]
An Irish hurdy-gurdy in the National Museum Dublin.
Doyle.
[C-270 in Q19]
An early gemshorn.
Muskett.
[C-271 in Q19]
Styll shalmes.
Buckland.
[C-272 in Q19]
More on drawings of keyboard instruments.
Pereira.
[C-273 in Q19]
Mandora and calachon.
Gill.
[C-274 in Q19]
The hurdy-gurdy.
Palmer.
[C-275 in Q19]
The hurdy-gurdy.
Palmer.
Reviewed by: Montagu
[C-276 in Q19]
Corrette's Method for learning to play the vielle-a-roue.
Dürichen.
Reviewed by: Muskett
[C-277 in Q19]
Précis de fracture d'anches renaissance.
Leguy.
Reviewed by: Wood
[C-278 in Q19]
Tibia 1/80 journal.
Reviewed by: Montagu
[C-279 in Q19]
Adolphe Sax.
Haine.
Reviewed by: Montagu
[C-280 in Q19]
The bassoon, part V.
Jansen.
Reviewed by: Montagu
[C-281 in Q19]
Drawings of four woodwind instruments in the Brussels Museum.
Moonen.
Reviewed by: McCrone
[C-282 in Q19]
The story of the harp in Wales.
Ellis.
Reviewed by: Montagu
[C-283 in Q19]
Hanes y delyn yng Nghymru.
Ellis.
Reviewed by: Montagu
[C-283 in Q19]
Die nachtegael int wilde (record).
Rans, Misschaert.
Reviewed by: Montagu
[C-284 in Q19]
Die nachtegael int wilde (record).
Rans, Misschaert.
Reviewed by: Yakeley
[C-285 in Q19]
List V&A Museum, London
[Plan in Q20]
On the distinction between the hurdy-gurdy and the vielle-a-roue.
Montagu.
[C-286 in Q20]
Further to C-275.
Longstaff.
[C-287 in Q20]
Further to C-276.
Palmer.
[C-288 in Q20]
A note on the belly construction of early English viols.
Segerman.
[C-289 in Q20]
Making solid bentsides for harpsichords.
Rose.
[C-290 in Q20]
Painting keyboard instruments.
Rawson.
[C-291 in Q20]
Making arcades for keyboard instruments.
Rawson.
[C-292 in Q20]
Arcade cutting.
Glover.
[C-293 in Q20]
A jig for use in arching and thicknessing viol front plates.
Strahle.
[C-294 in Q20]
Further to C-295.
Gill.
[C-295 in Q20]
Introduction to the small organ.
Gwynn.
[C-296 in Q20]
The early guitar.
Tyler.
Reviewed by: Hope
[C-297 in Q20]
The bassoon, part VI.
Jansen.
Reviewed by: Montagu
[C-298 in Q20]
Italian baroque guitar (record).
Hope.
Reviewed by: Montagu
[C-299 in Q20]
Lute soundboards - how were they fitted?
Samson.
[C-300 in Q21]
Classification system of the pitches with various absolute height.
Raudonikas.
[C-301 in Q21]
A simple, safe method for making pine resin varnish.
Duncalf Segerman.
[C-302 in Q21]
Building lute backs with a flattened section.
Lourie.
[C-303 in Q21]
The forked shawm.
Montagu.
[C-304 in Q21]
Electronic aids and their use in early music.
Isbell.
[C-305 in Q21]
Laminated soundboards for harpsichords.
Way.
[C-306 in Q21]
Painting harpsichords.
Way.
[C-307 in Q21]
Making solid bentsides for harpsichords.
Way.
[C-308 in Q21]
Trois chansonniers Français du XV siècle.
Thibault, Rokseth.
Reviewed by: Fallows
[C-309 in Q21]
The bassoon, part VII.
Jansen.
Reviewed by: Montagu
[C-310 in Q21]
Catalogue des instruments Sax au Musée Instrumental de Bruxelles.
Haine, de Keyser.
Reviewed by: Montagu
[C-311 in Q21]
An account of the musical performances in Westminster-Abbey.
Burney.
Reviewed by: Montagu
[C-312 in Q21]
The Stradivari memorial.
Orcutt.
Reviewed by: Montagu
[C-313 in Q21]
Personal recollections of Arnold Dolmetsch.
Dolmetsch.
Reviewed by: Montagu
[C-314 in Q21]
Nothern Renaissance Instruments, catalogue.
Reviewed by: Montagu
[C-315 in Q21]
The master musicians of Jajouka at the Commonwealth Institute London (concert).
Reviewed by: Montagu
[C-316 in Q21]
List Hill collection, Ashmolean Museum, Oxford
[Plan in Q22]
List Brussels Museum.
[Plan in Q22]
Early music instruments from shipwrecks, lake dwellings and rivers.
Morrison.
[C-317 in Q22]
Plane scraping for profit and pleasure.
Glover.
[C-318 in Q22]
The baroque guitar - one day course - Hope.
O'Sea.
[C-319 in Q22]
Untitled (photogrammetrics and organology).
Tiella.
[C-320 in Q22]
Lute construction - further comments.
Downing.
[C-321 in Q22]
FoMRHI conference on pitch and transposition.
Rose.
[C-322 in Q22]
The problem of nomenclature.
Montagu.
[C-323 in Q22]
Why do some lutes have flattened backs?
Samson.
[C-324 in Q22]
On the number of guts in a gut string.
Segerman.
[C-325 in Q22]
Johannes Tinctoris translated.
Parrish.
Reviewed by: Page
[C-326 in Q22]
To study the embouchure hole form.
Raudonikas.
[C-327 in Q23]
What was the flauto d'echo?
Montagu.
[C-328 in Q23]
Covered strings for clavichords and square pianos.
Barnes.
[C-329 in Q23]
How to make a baroque trumpet (I).
van der Heide.
[C-330 in Q23]
A temporary debarockant.
Drake.
[C-331 in Q23]
Photogrammetric measurement.
Hobrough.
[C-332 in Q23]
Devices for measuring the undercutting.
Karp.
[C-333 in Q23]
Enigmatic bars.
Mather.
[C-334 in Q23]
String to soundboard proximity.
Mather.
[C-335 in Q23]
Early double reeds.
Haynes.
[C-336 in Q23]
English nomenclature of extended lutes.
Spencer.
[C-337 in Q23]
Criteria for the naming of instruments.
Segerman.
[C-338 in Q23]
On water-resistant glues.
Coutrait.
[C-339 in Q23]
On shafts and bearings for hurdy-gurdies.
Palmer.
[C-340 in Q23]
Lead in keyboards.
Hermans.
[C-341 in Q23]
Organ pitch.
Gwynn.
[C-342 in Q23]
A string diameter on Mersenne's bass viol.
Namreges.
[C-343 in Q23]
Ambiguity in Mersenne's use of Grosseur.
Segerman.
[C-344 in Q23]
Warning! Gretton
[C-345 in Q23]
The Syntagma Musicum Praetorius translated.
Blumenfeld.
Reviewed by: Montagu
[C-346 in Q23]
Musical wind instruments.
Carse.
Reviewed by: Bate
[C-347 in Q23]
Musikinstrumenten Museum Leipzig band 2 Kielinstrumente.
Henkel.
Reviewed by: Montagu
[C-348 in Q23]
Musikinstrumenten Museum Leipzig band 3 Trompeten, Posaunen, Tuben.
Heyde.
Reviewed by: Montagu
[C-348 in Q23]
Grundrichter Unterricht der musikalische Kunst oder Vierfaches musikalisches Kleeblatt, 1697.
Speer.
Reviewed by: Montagu
[C-349 in Q23]
The bassoon, part VIII & IX.
Jansen.
Reviewed by: Montagu
[C-350 in Q23]
On nomenclature - a rejoinder.
Montagu.
[C-351 in Q24]
The lower bout back fold on English treble viols.
Segerman.
[C-352 in Q24]
Restoration of a recorder edge.
Miller.
[C-353 in Q24]
Sinking harpsichord soundboards.
Way.
[C-354 in Q24]
Fingering on the Gaita galega.
Gretton.
[C-355 in Q24]
Bending massive bentsides.
Kalsbeek.
[C-356 in Q24]
The business end (sharp end) of the cornetto.
Gretton.
[C-357 in Q24]
Valves and mouthpieces for bagpipes.
Gretton.
[C-358 in Q24]
The inverted mordent in late 16th and 17th century music.
Segerman.
[C-359 in Q24]
An inventory of the Charles van Raalte Collection in instruments.
Downing.
[C-360 in Q24]
The bassoon, part X.
Jansen.
Reviewed by: Montagu
[C-361 in Q24]
The musician's piano atlas.
Taylor.
Reviewed by: Montagu
[C-362 in Q24]
A check-list of the brass musical instruments in the Edinburgh University collection.
Myers.
Reviewed by: Montagu
[C-363 in Q24]
Michael Haydn, ein Überblick über sein Leben.
Nagy.
Reviewed by: Montagu
[C-364 in Q24]
The Shrine to Music Museum, vol 1, keyed brass instruments.
Stewart.
Reviewed by: Montagu
[C-365 in Q24]
Restoration reports for two Broadwood pianos.
Barnes.
[C-366 in Q25]
Browning harpsichord pins.
Way.
[C-367 in Q25]
The nomenclature of plucked keyboard instruments.
Meeùs.
[C-368 in Q25]
On renaissance flute design.
Underhill.
[C-369 in Q25]
Mixed clavichord and spinette (with vibrato).
Matern.
[C-370 in Q25]
Further to C-342.
Raudonikas.
[C-371 in Q25]
Peg mill attached to a lathe.
Steafel.
[C-372 in Q25]
Further to Still Shalmes (C-272).
Buckland.
[C-373 in Q25]
Further to comments by Rein on C-307.
Mactaggart.
[C-374 in Q25]
Proposal for a medieval workshop.
Hobrough.
[C-375 in Q25]
More on organological terminology - response to C-351.
Segerman.
[C-376 in Q25]
Lute outlines - geometrical description.
Samson.
[C-377 in Q25]
Report on the restoration of a violin.
Watchorn.
[C-378 in Q25]
Thickness graduation of the Tourte bow - simple alternative.
Segerman.
[C-379 in Q25]
Conservation of research information vs a playing collection.
Segerman.
[C-380 in Q25]
Design of a viol belly.
Moonen.
[C-381 in Q25]
On Talbot's measurements of viols.
Segerman.
[C-382 in Q25]
The bassoon, part XI.
Jansen.
Reviewed by: Montagu
[C-383 in Q25]
Conservation, archaeology & museums.
UK Institute for Conservation.
Reviewed by: Montagu
[C-384 in Q25]
Care of musical instruments in Canadian collections.
Canadian Conservation Institute.
Reviewed by: Montagu
[C-385 in Q25]
Studia instrumentorum popularis VII.
Musikhistoriska Museet Stockholm.
Reviewed by: Montagu
[C-386 in Q25]
Geschichte der Musikinstrumente in Mittelalter und Renaissance.
Montagu.
Reviewed by: Montagu
[C-387 in Q25]
Yet more on organological terminology. Montagu
[C-388 in Q26]
Should museum instruments be used?
Montagu.
[C-389 in Q26]
Construction of ivory cornetti and tuning cornetti at the sharp end.
Gretton.
[C-390 in Q26]
Brass.
Karp.
[C-391 in Q26]
A method of casting harpsichord roses.
Paul.
[C-392 in Q26]
Keyboard restoration.
Barnes.
[C-393 in Q26]
About restoration reports for fortepianos.
Hermans.
[C-394 in Q26]
Construction of viol bellies by bending all staves.
Segerman Duncalf.
[C-395 in Q26]
Production of plectrum from bird feathers.
Lajaruzny.
[C-396 in Q26]
Soundhole evolution.
Lajaruzny.
[C-397 in Q26]
A survey of graces in the renaissance and early baroque.
Segerman.
[C-398 in Q26]
Laying & decorating harpsichord papers.
Mactaggart.
Reviewed by: Montagu
[C-399 in Q26]
Modern harpsichord makers.
Paul.
Reviewed by: Montagu
[C-400 in Q26]
A check-list of the double-reed musical instruments in the Edinburgh collection.
Langwill.
Reviewed by: Montagu
[C-401 in Q26]
A dictionary of early music.
Roche.
Reviewed by: Montagu
[C-402 in Q26]
List Germanisches Nationalmuseum, Nürnberg
[Plan in Q27]
A method for casting harpsichord roses.
Paul.
[C-403 in Q27]
Woodwind bore measurement and analysis.
Lewin.
[C-404 in Q27]
Drone system of the Lissieu musette.
Greensitt.
[C-405 in Q27]
Woodwind bore oil.
Karp.
[C-406 in Q27]
Orpharion news.
Segerman.
[C-407 in Q27]
More mid- 16th century information on Spanish gracing.
Segerman.
[C-408 in Q27]
Renaissance and baroque bows.
Segerman.
[C-409 in Q27]
Hizler's tenor violin.
Segerman.
[C-410 in Q27]
On Memling's psaltery. Segerman
[C-411 in Q27]
Proposed construction of a medieval fiddle.
Segerman.
[C-412 in Q27]
All-gut bass strings.
Segerman.
[C-413 in Q27]
All-nylon strung lutes.
Irvine.
[C-414 in Q27]
More on C-375.
van Dijk.
[C-415 in Q27]
Schrammek, Herre.
Reviewed by: Museum Musicum Leipzig. Montagu
[C-416 in Q27]
List Musée Grobet, Labadie
[Plan in Q28]
List Société des Amis du Musée Instrumental, Paris
[Plan in Q28]
List Musikmuseet, Stockholm
[Plan in Q28]
Computing lute rib shapes.
Peckham.
[C-417 in Q28]
Braga cathedral - gospel organ.
Pereira.
[C-418 in Q28]
Blown resonance of baroque transverse flute: IV the tone and the blowing process.
Raudonikas.
[C-419 in Q28]
Lute action.
Brown.
[C-420 in Q28]
A new edition of Langwill's index?
Waterhouse.
[C-421 in Q28]
New guitar method.
Aguado.
Reviewed by: Hope
[C-422 in Q28]
A check-list of the bowed string musical instruments in the Edinburgh collection.
Emery.
Reviewed by: Montagu
[C-423 in Q28]
Two catalogues of exhibitions (Flöten; Drehleier & Dudelsack).
Dreieich Museum.
Reviewed by: Montagu
[C-424 in Q28]
Musical instrument collections, Catalogues.
Coover.
Reviewed by: Montagu
[C-425 in Q28]
The recorder collection of Frans Brüggen.
Zen-on.
Reviewed by: Montagu
[C-426 in Q29]
A word of two on the flute (1826).
James.
Reviewed by: Montagu
[C-427 in Q29]
A check-list of the plucked and hammered string musical instruments in the Edinburgh collection.
Macauly.
Reviewed by: Montagu
[C-428 in Q29]
A check-list of the percussion musical instruments in the Edinburgh collection.
Blades.
Reviewed by: Montagu
[C-428 in Q29]
Musikinstrumenter ved Ringve Museum.
Kjeldsberg.
Reviewed by: Montagu
[C-429 in Q29]
The crumhorn and other renaissance windcap instruments.
Boydell.
Reviewed by: Moonen
[C-430 in Q29]
Making unsoldered oboe staples.
Kirkpatrick.
[C-431 in Q29]
Finishing lute soundboards.
Brown.
[C-432 in Q29]
Two possible sources of instrument-making timber.
Mills.
[C-433 in Q29]
Perforating soundboard roses with scissors.
Williams.
[C-434 in Q29]
Report on the Stuttgart harpsichord exhibition August 1982.
Champollion.
[C-435 in Q29]
Converting cents to Hertz.
Bigio.
[C-436 in Q29]
Speculations on the rote.
Segerman.
[C-437 in Q29]
Strings for the violin family.
Segerman.
[C-438 in Q29]
Heinrich Schütz's strings.
Karp.
[C-439 in Q30]
Ferrous wire of high tensile strength ca. 1600.
Segerman.
[C-440 in Q30]
Blown resonance of baroque transverse flute: V tolerances of tones.
Raudonikas.
[C-441 in Q30]
On German, Italian and French pitch standards in the 17th and 18th century.
Segerman.
[C-442 in Q30]
Converting note names to frequency values.
Karp.
[C-443 in Q30]
Relative string lengths of the crwth.
Montagu.
[C-444 in Q30]
Fairly, Flutes, flautists and makers.
Reviewed by: Montagu
[C-445 in Q30]
Royal College of Music Museum Catalogue part I, European wind instruments.
Reviewed by: Montagu
[C-446 in Q30]
A check-list of the free reed, miscellaneous and ancillary instruments in the Edinburgh collection.
Campbell.
Reviewed by: Montagu
[C-447 in Q30]
The trapozoidal triangle - a practical solution.
Glover.
[C-448 in Q31]
Spoon-castagnetts of Turkey.
Harders.
[C-449 in Q31]
Notes on copyright(©).
Mactaggart.
[C-450 in Q31]
Another recipe for copal varnish.
Gretton.
[C-451 in Q31]
The story of a harpsichord string.
Gug.
[C-452 in Q31]
A double recorder.
Marvin.
[C-453 in Q31]
Workshop gimmicks.
Stanners.
[C-454 in Q31]
Lettering.
Bridges.
[C-455 in Q31]
On the size of Italian theorboes and archlutes before 1650.
Segerman.
[C-456 in Q31]
Tuning instruments having a conical bore.
van der Heide.
[C-457 in Q31]
Early 18th century bows and screws.
Segerman.
[C-458 in Q31]
A note on mean temperament.
Segerman.
[C-459 in Q31]
Wood contraction and instrument bores.
Segerman.
[C-460 in Q31]
Transferring soundboard designs.
Mactaggart.
[C-461 in Q31]
The trombone in the middle ages and the renaissance.
Lane.
Reviewed by: Montagu
[C-462 in Q31]
musical instruments in the Dayton C. Miller collection.
Seyfritt.
Reviewed by: Cousen
[C-463 in Q31]
The sizes and pitches of Italian archlutes.
Hodgson.
[C-464 in Q32]
The mean-tone.
Karp.
[C-465 in Q32]
Some notes on cittern fingerboards and stringing.
Forrester.
[C-466 in Q32]
On restoration.
Way.
[C-467 in Q32]
Lost traditions - or are they?
Montagu.
[C-468 in Q32]
Portatives with reservoirs?
Bridges.
[C-469 in Q32]
Moisture blocking of fipple flutes.
Willetts.
[C-470 in Q32]
Comments on bows and their screws, taps, dies and lathes.
Mather.
[C-471 in Q32]
Put the gurus out to grass.
Crookes.
[C-472 in Q32]
Comments on C-448.
Montagu.
[C-473 in Q32]
Acid staining of hardwoods.
Willetts.
[C-474 in Q32]
Woodwind bore oil.
Willetts.
[C-475 in Q32]
How to make your own mouldings in wood.
Hendry.
[C-476 in Q32]
What is a historical instrument.
Segerman.
[C-477 in Q32]
A check-list of the bagpipes in the Edinburgh collection.
Cheape.
Reviewed by: Montagu
[C-478 in Q32]
The Shrine to Music Museum, vol 2 instruments of Burma, India, Nepal, Thailand, Tibet.
Cross.
Reviewed by: Montagu
[C-479 in Q32]
Die schönsten Musikinstrumente des Altertums.
Vorreiter.
Reviewed by: Montagu
[C-480 in Q32]
Bingham, Catalogue of old brasswind instruments.
Montagu.
[C-481 in Q32]
Catalogue of the European musical instruments of the 17th-19th century.
Ueno Gakuen College Tokio.
Reviewed by: Montagu
[C-482 in Q32]
Der Zink, Geschichte, Bauweise and Spieltechnik eines historischen Musikinstruments.
Overton.
Reviewed by: Gretton
[C-483 in Q32]
Notes on a painting by Sabastino Lazzari.
Downing.
[C-484 in Q33]
The NF treble recorder at the Museum der Stadt Meran.
Zaniol.
[C-485 in Q33]
Geometrical description and analysis of instrument shapes; considerations on early 16th century lute construction.
Steinberg.
[C-486 in Q33]
Bone for peg decoration.
Jenkins.
[C-487 in Q33]
The fingered 16' on the harpsichord.
Shann.
[C-488 in Q33]
Comments on C-417 and C-420.
Samson.
[C-489 in Q33]
Mersenne, Praetorius and the English viol pitch standard: problems of the history of early pitches.
Meeùs.
[C-490 in Q33]
Response to C-490 on English viol pitches.
Segerman.
[C-491 in Q33]
Untitled (tuning conical bore woodwind instruments).
Marvin.
[C-492 in Q33]
Fingering the Gaita galega: the horse speaks.
Stacey.
[C-493 in Q33]
Health-shop historicity.
Crookes.
[C-494 in Q33]
No posterity for the eunuch flute?
Crookes.
[C-495 in Q33]
Museum Musicum Leipzig.
Schrammek, Herre.
Reviewed by: Henning
[C-496 in Q33]
The proud bassoon (catalogue).
Waterhouse.
Reviewed by: Montagu
[C-497 in Q33]
Musikinstrumenten Museum Leipzig band 4 Clavichorde.
Henkel.
Reviewed by: Montagu
[C-498 in Q33]
Musikinstrumenten Museum Leipzig band 5 Hörner und Zinken.
Heyde.
Reviewed by: Montagu
[C-498 in Q33]
Linzer Musikinstrumente der Bruckner-Zeit, Linz.
Stradner.
Reviewed by: Montagu
[C-499 in Q33]
Trouble with C-302 varnish.
Segerman.
[C-500 in Q33]
Untitled (and some more).
Kolberg.
[C-500b in Q33]
The UKIC and V&A Christmas symposium.
Montagu.
[C-501 in Q34]
Some comments on C-477.
Gretton.
[C-502 in Q34]
Effects applicable to the tuning of instruments with a conical bore (replaces C-457).
van der Heide.
[C-503 in Q34]
How to make a baroque trumpet (II).
van der Heide.
[C-504 in Q34]
Comments on C-483: review of Der Zink.
Overton.
[C-505 in Q34]
18th century success of copal varnish.
Segerman.
[C-506 in Q34]
Lunatic crumhorn.
Crookes.
[C-507 in Q34]
Observations prelusive to reconstructing the kithara.
Crookes.
[C-508 in Q34]
Conjectures about making harpsichord bentsides.
Lee.
[C-509 in Q34]
The key system of the organistrum.
Gibson.
[C-510 in Q34]
Dean castle: van Raalte collection organs.
Coetze.
[C-511 in Q34]
Drilling bristle-holes in wooden jacks.
Groom.
[C-512 in Q34]
Comments on C-488: the fingered 16'.
Meeùs.
[C-513 in Q34]
Recorder voicing: answers to questions.
Willoughby.
[C-514 in Q34]
Beiträge zum historischen Cembalobau.
Henkel.
Reviewed by: Wraight
[C-515 in Q34]
Tibia-Calendrium 1984.
Reviewed by: Montagu
[C-516 in Q34]
Anatomy of an exhibition: the look of music.
Barclay.
Reviewed by: Montagu
[C-517 in Q34]
Painting and marbling harpsichord cases.
Mactaggart.
Reviewed by: Montagu
[C-518 in Q34]
Musikinstrumenten Museum Leipzig band 6 Orgelinstrumente, Harmoniums.
Gernhardt, Henkel, Schrammek.
Reviewed by: Montagu
[C-519 in Q34]
Volksmuziek en volksmuziekinstrumenten in Europa, Haags Gemeente Museum.
van Acht.
Reviewed by: Montagu
[C-520 in Q34]
Carlos Seixas's nine sonatas for clavichord (record).
Brauchli.
Reviewed by: Montagu
[C-521 in Q34]
List woodwind, Bate collection, Oxford
[Plan in Q35]
List Royal College of Music, London
[Plan in Q35]
The Icelandic langspil.
Crookes.
[C-522 in Q35]
Trends towards historical accuracy in popular design.
Segerman.
[C-523 in Q35]
Was the violin a French invention after all?
Segerman.
[C-524 in Q35]
Fingerboard length on the baroque violin.
Segerman.
[C-525 in Q35]
Comments on Bull. Supp. 34: O'Kelly table.
O'Kelly.
[C-526 in Q35]
Lute string calculation and identification.
O'Kelly.
[C-527 in Q35]
Further on early manufacture of gut strings.
Zaniol.
[C-528 in Q35]
Further on C-514.
Zaniol.
[C-529 in Q35]
Notes on Theobald Böhm's article on the open G-sharp key.
Böhm.
[C-530 in Q35]
The Mary Rose shawm or dulcina.
Lyndon-Jones.
[C-531 in Q35]
The fornication of recorder windways.
Marvin.
[C-532 in Q35]
Miscellaneous comments.
Cronin.
[C-533 in Q35]
The oldest organ in Christendom.
Montagu.
[C-534 in Q35]
Using the pitchmeter and digituner.
Crowe.
[C-535 in Q35]
Some thoughts on the use of renaissance legends.
Crookes.
[C-536 in Q35]
Flemish transposing harpsichords - some rejoinders answered.
Shann.
[C-537 in Q35]
List woodwind, Bate collection, Oxford
[Plan in Q36]
Italian two-manual harpsichords.
Wraight.
[C-538 in Q36]
Comments.
Way.
[C-539 in Q36]
Bending harpsichord bentsides.
Shann.
[C-540 in Q36]
Further to C-529.
Willoughby.
[C-541 in Q36]
Making a Roman cornu.
Barton.
[C-542 in Q36]
Response to C-533.
Hailperin.
[C-543 in Q36]
Making a bodhrán without steaming.
Crookes.
[C-544 in Q36]
On making stitched drumheads.
Gould.
[C-545 in Q36]
Three unrelated rebukes.
Crookes.
[C-546 in Q36]
Figures relevant to C-546.
Segerman.
[C-547 in Q36]
Steel music wire.
Karp.
[C-548 in Q36]
Reply to C-526.
Segerman.
[C-549 in Q36]
The lengths of bows in the baroque.
Segerman.
[C-550 in Q36]
Converting note names & cents to frequency values by micro computer.
Owen.
[C-551 in Q36]
vivera di Strumenti.
Quarna.
Reviewed by: Montagu
[C-552 in Q36]
The sounds of prehistoric Scandinavia (record).
Lund.
Reviewed by: Montagu
[C-553 in Q36]
Praxis vol.1, Studi e testi sull' interpretazione della musica, 1983.
Reviewed by: Montagu
[C-554 in Q36]
Lutes, viols & temperaments.
Lindley.
Reviewed by: Montagu
[C-555 in Q36]
List woodwind, Bate collection, Oxford
[Plan in Q37]
Lutes, viols & temperaments.
Lindley.
Reviewed by: Hodgson
[C-556 in Q37]
Viol bellies and bridges.
Munck.
[C-557 in Q37]
Frau Musica detected.
Henning.
[C-558 in Q37]
Partial response to C-442, C-490 & C-491 (pitch standards).
Crighton.
[C-559 in Q37]
A tiny harp made from bog oak.
Crookes.
[C-560 in Q37]
Progress report on the kithara.
Crookes.
[C-561 in Q37]
More cello spikes and lute strings.
Crookes.
[C-562 in Q37]
Why gut treble strings are the best.
Segerman.
[C-563 in Q37]
A thicknessing procedure for baroque and modern bows.
Segerman.
[C-564 in Q37]
Wood for bows.
Jenkins.
[C-565 in Q37]
A reply to C-505 (Overton).
Gretton.
[C-566 in Q37]
Making mild steel (flat-stock) reamers.
Willoughby.
[C-567 in Q37]
To hell with whither - it's what that counts.
Montagu.
[C-568 in Q37]
The transition from octave to unison stringing.
Shann.
[C-569 in Q37]
The colour of the Ruckers' wood-grain paper.
Shann.
[C-570 in Q37]
Scraping plane for mouldings in wood.
Greenberg.
[C-571 in Q37]
Bending bentsides using steam or hot-iron.
Greenberg.
[C-572 in Q37]
Re: C-540.
Way.
[C-573 in Q37]
Harpsichord bottom screws.
Way.
[C-574 in Q37]
Tentative observations about barred soundboards.
Way.
[C-575 in Q37]
Non-ferrous harpsichord wire.
Way.
[C-576 in Q37]
Installing soundboard wet and dry.
Way.
[C-577 in Q37]
List woodwind, Bate collection, Oxford
[Plan in Q38]
The new Grove dictionary of musical instruments 3 vol. Montagu
[C-578 in Q38]
Patents for inventions related to musical instruments, 1694-1866.
Bingham.
Reviewed by: Montagu
[C-579 in Q38]
Harmony for the flute.
Bingham.
Reviewed by: Montagu
[C-580 in Q38]
Bagpipes & hurdy-gurdies.
Stacey, Wishart.
Reviewed by: Montagu
[C-581 in Q38]
The early history of the viol.
Woodfield.
Reviewed by: Montagu
[C-582 in Q38]
Practical guilding.
Mactaggart.
Reviewed by: Montagu
[C-583 in Q38]
The musician's piano atlas, suppl 1.
Taylor.
Reviewed by: Montagu
[C-584 in Q38]
List of northern French makers.
Delassus.
[C-585 in Q38]
Re: scraping plane in C-571.
Young.
[C-586 in Q38]
Materials and tone quality.
Cronin.
[C-587 in Q38]
A contribution to authenticity in the art of drum making.
Gould.
[C-588 in Q38]
Did nothing survive from Roman antiquity?
Crookes.
[C-589 in Q38]
Some Nietzschean aphorisms to stir up trouble.
Crookes.
[C-590 in Q38]
Some historical data on harpsichords.
Shann.
[C-591 in Q38]
Bentsides again.
Shann.
[C-592 in Q38]
The pitch of Ruckers instruments.
Shann.
[C-593 in Q38]
Possible reconstruction of Stradivarius cellos.
Smith.
[C-594 in Q38]
Baroque cello spikes.
Smith.
[C-595 in Q38]
Response to Crighton's C-559.
Segerman.
[C-596 in Q38]
English viol sizes and pitches.
Segerman.
[C-597 in Q38]
What Praetorius wrote on English viols.
Segerman.
[C-598 in Q38]
King Henry VIII's stump.
Chiverton.
[C-599 in Q38]
List Société des Amis du Musée Instrumental, Paris
[Plan in Q39]
The renaissance sackbut and its use today.
Fischer.
Reviewed by: Montagu
[C-600 in Q39]
Making a spinet by traditional methods.
Barnes.
Reviewed by: Montagu
[C-601 in Q39]
The historical harpsichord, vol.1.
Schott.
Reviewed by: Montagu
[C-602 in Q39]
16 Rosenkrantzsonaten (record).
Biber.
Reviewed by: Montagu
[C-603 in Q39]
The new Grove dictionary of musical instruments (A). Montagu
[C-604 in Q39]
The new Grove dictionary of musical instruments. Segerman
[C-605 in Q39]
The pitches of 18th century strung keyboard.
Karp.
Reviewed by: Segerman
[C-606 in Q39]
Praetorius, Segerman and the English viols.
Meeùs.
[C-607 in Q39]
An unpublished letter by Michael Praetorius.
Meeùs.
[C-608 in Q39]
More on Denis Gaultier, Sohne, Zarlino et al.
Lindley.
[C-609 in Q39]
The vihuela.
McCormack.
[C-610 in Q39]
What was the viole d'aline?
Crookes.
[C-611 in Q39]
What was the Bohemian wing?
Crookes.
[C-612 in Q39]
Response to Crookes's C-589 and C-590.
Segerman.
[C-613 in Q39]
Grove on the chekker.
Shann.
[C-614 in Q39]
Provisional check-list of surviving clavicytheria.
Bavington.
[C-615 in Q39]
Oil and varnish.
Mactaggart.
[C-616 in Q39]
Pale drying oil.
Wadsworth.
[C-617 in Q39]
Start lean, finish fat.
Forrester.
[C-618 in Q39]
Method for drilling the hinge pin hole in the foot of a traverso.
van Leeuwen.
[C-619 in Q39]
Untitled.
Kolberg.
[C-620 in Q39]
Bressan recorder from Bate collection, Oxford
[Plan in Q40]
Terton recorder from Haags Gemeente Museum
[Plan in Q40]
List Metropolitan Museum of Art, New York
[Plan in Q40]
The new Grove dictionary of musical instruments (A).
Reviewed by: Segerman
[C-621 in Q40]
Making a spinet by traditional methods.
Barnes.
Reviewed by: Shann
[C-622 in Q40]
Ruckers transposing double harpsichords.
Shortridge.
[C-623 in Q40]
Authentic and all that jazz.
Way.
[C-624 in Q40]
Axioms for archaeology.
Way.
[C-625 in Q40]
Uniformity in old wire.
Way.
[C-626 in Q40]
Keyboard pitch in the 18th century.
Karp.
[C-627 in Q40]
The case of the unknown scholar and the missing lute.
Hodgson.
[C-628 in Q40]
Response to C-610 on vihuelas.
Segerman.
[C-629 in Q40]
Pitch notation: a plea to end confusion.
Myers.
[C-630 in Q40]
Comments on C-610 (vihuelas).
Gill.
[C-631 in Q40]
A closer look at pitch ranges of gut strings.
Segerman.
[C-632 in Q40]
Praetorius, Meeùs and the English viols.
Segerman.
[C-633 in Q40]
The Bohemian wing.
Matou\(svek.
[C-634 in Q40]
Reconstruction of the harpate wing.
Crookes.
[C-635 in Q40]
Some instruments of skomorokhi from the 1630s.
Crookes.
[C-636 in Q40]
Further to C-613.
Crookes.
[C-637 in Q40]
The new Grove eunuch-flute article.
Crookes.
[C-638 in Q40]
Some measurements techniques for recorders.
Stroom.
[C-639 in Q40]
Two links with antiquity: Kundera's zert and the zhaleyka.
Crookes.
[C-640 in Q40]
The microwave way: drying boxwood fast and easy.
Bouterse.
[C-641 in Q40]
Report about our researches in historical brass metal.
Thein.
[C-642 in Q40]
Nema, Early music in education.
Reviewed by: Montagu
[C-643 in Q41]
The Eddy collection of musical instruments; a check-list.
Good.
Reviewed by: Montagu
[C-644 in Q41]
Catalogue 3, Bowed stringed-instruments.
Kunitachi College, Tokio.
Reviewed by: Montagu
[C-645 in Q41]
Catalogue 4, Plucked stringed-instruments.
Kunitachi College, Tokio.
Reviewed by: Montagu
[C-645 in Q41]
Catalogue 5, Harp; Lyre.
Kunitachi College, Tokio.
Reviewed by: Montagu
[C-645 in Q41]
The new Grove dictionary of musical instruments. Montagu (B)
[C-646 in Q41]
The new Grove dictionary of musical instruments. Segerman (Ba)
[C-647 in Q41]
Reamer-saving counterbores.
Marvin.
[C-648 in Q41]
A flexible recorder.
Marvin.
[C-649 in Q41]
Apologies to Sverre.
Marvin.
[C-650 in Q41]
A Bassano flauto.
Marvin.
[C-651 in Q41]
Tuning recorders.
Marvin.
[C-652 in Q41]
Tuning the traverso.
Bouterse.
[C-653 in Q41]
Recorder voicing structures.
Woods.
[C-654 in Q41]
FoMRHI communication.
Karp.
[C-655 in Q41]
A Greenlandic drum.
Crookes.
[C-656 in Q41]
Some developments in Spanish musical life.
Harris.
[C-657 in Q41]
A flying visit to Italy.
Montagu.
[C-658 in Q41]
Speculation on Memling's tromba marina.
Davies.
[C-659 in Q41]
Comments on C-629 on vihuelas.
Gill.
[C-660 in Q41]
Discussion of points on violas and vihuelas in C-660.
Segerman.
[C-661 in Q41]
On cammer-ton and on the sizes of lutes.
Hodgson.
[C-662 in Q41]
The stringing of a baroque guitar.
Hodgson.
[C-663 in Q41]
Some ways with means.
Segerman.
[C-665 in Q41]
Ruckers doubles - a survey of the theories.
Shann.
[C-665 in Q41]
Swedish gauge system?
Gug.
[C-666 in Q41]
Victorian reed organs and harmoniums.
Fluke.
Reviewed by: Montagu
[C-667 in Q42]
Journal of the Australian Association of musical instrument makers, Aug '85.
Reviewed by: Montagu
[C-668 in Q42]
The Glen account book 1838-1853.
Myers.
Reviewed by: Montagu
[C-669 in Q42]
Händel: a celebration of his life and times.
Simon.
Reviewed by: Wollenberg
[C-670 in Q42]
The new Grove dictionary of musical instruments. Montagu (C)
[C-671 in Q42]
The new Grove dictionary of musical instruments. Segerman (Bb-Bz)
[C-672 in Q42]
A return visit to Venice.
Montagu.
[C-673 in Q42]
A reamer made of aluminium.
Janke.
[C-674 in Q42]
Another reamer-saving counterbore.
Swayne.
[C-675 in Q42]
Workshop ideas for woodwinds.
Swayne.
[C-676 in Q42]
Further to Cary's C-655.
Montagu.
[C-677 in Q42]
The FoMRHI network.
Karp.
[C-678 in Q42]
Comments on C-666 on the Swedish gauge system.
Karp.
[C-679 in Q42]
Ruckers doubles: the sixth hypothesis.
Meeùs.
[C-680 in Q42]
Early pianos at Ipswich.
Barnes.
[C-681 in Q42]
Bending in San Franscisco.
Greenberg.
[C-682 in Q42]
18th century German and French pitches.
Segerman.
[C-683 in Q42]
An exceptional G-sharp in Milan.
Lindley.
[C-684 in Q42]
Early instrument news from Yugoslavia.
Vojnic.
[C-685 in Q42]
A letter to J. Montagu.
Bashford.
[C-686 in Q42]
Angled bridges and J bars on lutes.
Segerman.
[C-687 in Q42]
List Edinburgh University collection
[Plan in Q43]
List Société des Amis du Musée Instrumental, Paris
[Plan in Q43]
Eerens traverso, van Leeuwen
[Plan in Q43]
Bass recorder, Bergstrøm
[Plan in Q43]
The sound of the fortepiano: a discography of music on early pianos.
Bassart.
Reviewed by: Montagu
[C-688 in Q43]
Musical instruments through the ages.
Hamber, Stanners.
Reviewed by: Montagu
[C-689 in Q43]
Music for oboe, 1650-1800: a bibliography.
Haynes.
Reviewed by: Montagu
[C-690 in Q43]
Vierundzwandzigsteljahrschrift der internationalen Maultrommel-virtuosengenossenschaft 2, 1985.
Reviewed by: Montagu
[C-691 in Q43]
A treatise on the fundamental principles of violin playing, (Knocker).
Mozart.
Reviewed by: Montagu
[C-692 in Q43]
Un musée aujourd'hui - des facteurs d'instruments de musique.
Reviewed by: Montagu
[C-693 in Q43]
The art of fingering the harpsichord; illustrated with examples, etc 1757.
Pasquali.
Reviewed by: Montagu
[C-694 in Q43]
Musical and poetical relicks of the Welsh bards, preserved by tradition, etc 1784.
Jones.
Reviewed by: Montagu
[C-695 in Q43]
Piano i Norge.
Kjeldsberg.
Reviewed by: Aanstad
[C-696 in Q43]
The new Grove dictionary of musical instruments. Montagu (D-E)
[C-697 in Q43]
The new Grove dictionary of musical instruments. Segerman (Ca-Ci)
[C-698 in Q43]
Are computers anything for us?
Karp.
[C-699 in Q43]
Untitled (on computers).
Lyndon-Jones.
[C-700 in Q43]
On computers, typewriters, etc.
Champollion.
[C-701 in Q43]
Untitled (non-keyboard baroque temperament).
Haynes.
[C-702 in Q43]
A matter of temperament.
Hodgson.
[C-703 in Q43]
The proportional compass.
Gug.
[C-704 in Q43]
A simple and cheap hygrometer.
Bergstrøm.
[C-705 in Q43]
Digital and other calipers.
van Leeuwen.
[C-706 in Q43]
Modification and sharpening of twist drills.
van Leeuwen.
[C-707 in Q43]
Dehumidifiers.
Hope.
[C-708 in Q43]
Chitarra battente.
Hope.
[C-709 in Q43]
Vihuela.
Hope.
[C-710 in Q43]
An experimental method.
Odell.
[C-711 in Q43]
On extended lutes.
Segerman.
[C-712 in Q43]
Napolitan mandolins, wire strengths and violin stringing.
Segerman.
[C-713 in Q43]
Round bridges: the geometry of clearance angles.
Segerman.
[C-714 in Q43]
Flat bridges I: focus on the lira da braccio.
Segerman.
[C-715 in Q43]
Lyra and other viols that played from tablature.
Segerman.
[C-716 in Q43]
Untitled (keyboard instrument classification).
Pereira.
[C-717 in Q43]
Double, double, toil and trouble.
Shann.
[C-718 in Q43]
Enquiries.
Champollion.
[C-719 in Q43]
Little French harpsichord plan, as asked for by Geza Vojnic.
Champollion.
[C-720 in Q43]
Biblical instruments - further to C-672.
Montagu.
[C-721 in Q43]
On the skill of the Nürnberg brass instrument makers.
Montagu.
[C-722 in Q43]
Untitled (the pitches of flutes).
Cameron.
[C-723 in Q43]
Building and playing a Narh.
Madgwick.
[C-724 in Q43]
A peculiar Fornari oboe.
Bernardini.
[C-725 in Q43]
Changes at Prague.
Lyndon-Jones.
[C-726 in Q43]
The new Grove dictionary of musical instruments. Montagu (F)
[C-727 in Q44]
The baroque flute fingering book.
Neuhaus.
Reviewed by: Montagu
[C-728 in Q44]
The new Grove dictionary of musical instruments. Segerman (Cj-Cz)
[C-729 in Q44]
Geometry proportion and the art of lutherie.
Coates.
Reviewed by: Samson
[C-730 in Q44]
Selection of wood according to a German document.
Gug.
[C-731 in Q44]
Converting Hertz to cents and vice versa.
Montagu.
[C-732 in Q44]
What should measuring tools be made of?
Montagu.
[C-733 in Q44]
Helpful recordings.
White.
[C-734 in Q44]
Happy tranposition?!?
Meeùs.
[C-735 in Q44]
More on the proportional compass.
Shann.
[C-736 in Q44]
Von Radolt's instructions to lute players (Vienna 1701).
Samson Hodgson.
[C-737 in Q44]
On extended peghead lutes.
Hodgson.
[C-738 in Q44]
Violas, vihuelas and iconography.
Forrester.
[C-739 in Q44]
Citterns and chitarra battente.
Forrester.
[C-740 in Q44]
Chitarra battente, further comments.
Gill.
[C-741 in Q44]
Response to C-739 and C-740.
Segerman.
[C-742 in Q44]
More on early gut string diameter.
Segerman.
[C-743 in Q44]
Moiré contours.
McLennan.
[C-744 in Q44]
List woodwind, Bate collection, Oxford
[Plan in Q45]
List Royal College of Music, London
[Plan in Q45]
Dictionaire des facteurs d'instruments de musique en Wallonie et à Bruxelles etc.
Haine, Meeùs.
Reviewed by: Montagu
[C-745 in Q45]
Musical instruments in the 1851 exhibition.
Mactaggart.
Reviewed by: Montagu
[C-746 in Q45]
Samuel Hughes ophicleidist.
Weston.
Reviewed by: Montagu
[C-747 in Q45]
Chanter, the journal of the Bagpipe Society, vol.1, part 1, '86.
Reviewed by: Montagu
[C-748 in Q45]
The new Grove dictionary of musical instruments. Montagu (G)
[C-749 in Q45]
The new Grove dictionary of musical instruments. Segerman (D)
[C-750 in Q45]
More on Longman, Lukey & Broderip.
Montagu.
[C-751 in Q45]
Made for music - the Galpin Society's 40th anniversary.
Montagu.
[C-752 in Q45]
Mersenne, Mace and speed of playing.
Segerman.
[C-753 in Q45]
A bibliography of 18th century sources relating to crafts, manufacturing and technology.
McGeary.
[C-754 in Q45]
What has gone wrong with the early music movement?
Samson.
[C-755 in Q45]
What is a simple lute?
Samson.
[C-756 in Q45]
A reply to C-742.
Forrester.
[C-757 in Q45]
A follow-on to C-739.
Gill.
[C-758 in Q45]
Untitled (comments on the chitarra battente).
Hope.
[C-759 in Q45]
Untitled (craftsmanship of Nürnberg horns).
Barclay.
[C-760 in Q45]
Bore gauging - some ideas and suggestions.
Williams.
[C-761 in Q45]
Woodwind bore measuring tools.
Karp.
[C-762 in Q45]
Untitled (on measuring tools and modems).
Stroom.
[C-763 in Q45]
A preliminary check-list of iconography for oboe-type instruments, reeds and players, 1630-1830.
Haynes.
[C-764 in Q45]
Happy, happy transposition.
Shann.
[C-765 in Q45]
The way from Thoiry to Nürnberg.
Gug.
[C-766 in Q45]
List Edinburgh University collection
[Plan in Q46]
List cembalo, Ruckers genootschap, Antwerpen
[Plan in Q46]
The art of preluding, 1700-1830 for flutists, oboists, clarinettists and other performers.
Bang Mather, Lasocki.
Reviewed by: Montagu
[C-767 in Q46]
The new Grove dictionary of musical instruments. Montagu (H)
[C-768 in Q46]
The historic clarinet exhibition at Edinburgh, August 1986.
Reviewed by: Montagu
[C-769 in Q46]
The new Grove dictionary of musical instruments. Segerman (E-F)
[C-770 in Q46]
Re: Grove review: double bass.
Slatford.
[C-771 in Q46]
A table for violin family string diameters and tensions.
Segerman.
[C-772 in Q46]
Response to an attack on modern catlines.
Segerman.
[C-773 in Q46]
A 1656 Tabley manuscript: on viol players, cittern and gittern.
Segerman.
[C-774 in Q46]
The wood under the varnish.
Segerman.
[C-775 in Q46]
Nut groove diameters on a Sellas extended-neck lute.
Segerman.
[C-776 in Q46]
Unhappy.
Meeùs.
[C-777 in Q46]
The origin of the chromatic keyboard layout.
Meeùs.
[C-778 in Q46]
Addresses.
Karp.
[C-779 in Q46]
Artificial ivory rings for woodwind instruments.
Desforges.
[C-780 in Q46]
Vierundzwandzigsteljahrschrift der internationalen Maultrommel-virtuosengenossenschaft 3, 1987.
Reviewed by: Montagu
[C-782 in Q47]
Chanter, the journal of the Bagpipe Society, vol.1, part 2, '86/'87.
Reviewed by: Montagu
[C-783 in Q47]
Exhibition catalogue 1987.
Ringve Museum.
Reviewed by: Montagu
[C-784 in Q47]
March for two pairs of kettledrums.
Philidor.
Reviewed by: Montagu
[C-785 in Q47]
English bowed instruments from Anglo-Saxon to Tudor times.
Remnant.
Reviewed by: Montagu
[C-786 in Q47]
Voices & instruments of the middle ages - instrumental practice and songs in France 1100-1300.
Page.
Reviewed by: Montagu
[C-786 in Q47]
Playing practice and instrumentation around 1500 as represented by Virdung's Musica Getutscht.
Stradner.
Reviewed by: Chiverton
[C-787 in Q47]
The new Grove dictionary of musical instruments. Segerman (G)
[C-788 in Q47]
A catalogue of surviving instruments.
Lewin.
[C-789 in Q47]
On the Zängelmass.
Shann.
[C-790 in Q47]
Computer programs for the conversion of cents to Hertz.
Goodwin Mills.
[C-791 in Q47]
Thoughts on C-755.
Willetts.
[C-792 in Q47]
On chemical analysis of the wood of historical bowed instruments.
Gug.
[C-793 in Q47]
Inductive meter to determine wood thickness of unopened musical instruments.
Manders.
[C-794 in Q47]
The bowed string.
Meeùs.
[C-795 in Q47]
Vihuela and José Romanillos.
Hope.
[C-796 in Q47]
The 17th century gittern and bell gittern.
Gill.
[C-797 in Q47]
Was the English guitar a guitar or a cittern?
Walsh.
[C-798 in Q47]
A method for the construction of the rib template for a lute.
Kershaw.
[C-799 in Q47]
A technical database management program for woodwind instrument makers.
Powell.
[C-800 in Q47]
A reed-scraping tool.
Owen.
[C-801 in Q47]
The Bassano, HIE(RO).S, !!, Venice discussion.
Lyndon-Jones.
[C-802 in Q47]
Restoration of an early clarinet.
Wells.
[C-803 in Q47]
A profile of Mr Ling - English oboe reeds around 1800.
Burgess.
[C-804 in Q47]
Musica Maximiliana, Ekkehart Stegmiller.
Henning.
Reviewed by: Montagu
[C-805 in Q48]
2500 historical woodwind instruments.
Young.
Reviewed by: Montagu
[C-806 in Q48]
English bowed instruments from Anglo-Saxon to Tudor times.
Remnant.
Reviewed by: Montagu
[C-807 in Q48]
Voices & instruments of the middle ages - instrumental practice and songs in France 1100-1300.
Page.
Reviewed by: Montagu
[C-808 in Q48]
Voices & instruments of the middle ages - instrumental practice and songs in France 1100-1300.
Page.
Reviewed by: Segerman
[C-809 in Q48]
Syntagma Musicum I & II (tr Crookes).
Praetorius.
Reviewed by: Segerman
[C-810 in Q48]
Bate collection of historical instruments - supplement to the 1976 catalogue.
Montagu.
Reviewed by: Segerman
[C-811 in Q48]
The new Grove dictionary of musical instruments. Montagu (I)
[C-812 in Q48]
What's wrong with early music?
Page.
[C-813 in Q48]
Recent changes in early music.
Segerman.
[C-814 in Q48]
Clamps for woodwind parts.
Segerman.
[C-815 in Q48]
The Clinton system clarinet.
Shackleton.
[C-816 in Q48]
John Hale.
Shackleton.
[C-817 in Q48]
Update to international check-list of locations and citations of early oboe reeds and accessories.
Burgess.
[C-818 in Q48]
The musical uses of the word consort.
Segerman.
[C-819 in Q48]
Discussion of the physics of bowing - response to C-794.
Segerman.
[C-820 in Q48]
Phosphorous iron music wire.
Shann.
[C-821 in Q48]
Determining wood thickness in unopened musical instruments.
Armitage.
[C-822 in Q48]
The English guitar etcetera.
Gill.
[C-823 in Q48]
Vihuela and José Romanillos.
Gill.
[C-824 in Q48]
17th century guitar woodwork.
Forrester.
[C-825 in Q48]
Naust traverso, Leningrad, Raudonikas
[Plan in Q49]
Hotteterre traverso, Leningrad, Raudonikas
[Plan in Q49]
Mulhouse traverso, van Leeuwen
[Plan in Q49]
Thomas Ling, 1787-1851, reed maker.
Byrne.
[C-826 in Q49]
Lewis, a flute case maker.
Smith.
[C-827 in Q49]
More thoughts on woodwind bore measurement.
Cronin.
[C-828 in Q49]
What do we mean by A=415?
Montagu.
[C-829 in Q49]
A=415.
Meeùs.
[C-830 in Q49]
A=415?
Barnes.
[C-831 in Q49]
Re: comment on what do we mean by A=415?
Law.
[C-832 in Q49]
What means A=415?
Way.
[C-833 in Q49]
A=415 and unequal temperaments.
Lindley.
[C-834 in Q49]
Tuning an unequal temperament using an equal temperament pitchmeter.
Chiverton.
[C-835 in Q49]
European music wire making places.
Gug.
[C-836 in Q49]
Wire drawing and working conditions.
Gug.
[C-837 in Q49]
The case of the mythical kinks.
Meeùs.
[C-838 in Q49]
Response to Meeùs on the bowed string.
Segerman.
[C-839 in Q49]
An embryonic bass bar?
Segerman.
[C-840 in Q49]
The apparent geometry of Jakob Stainer.
Smith.
[C-841 in Q49]
List Edinburgh University collection
[Plan in Q50]
A check-list of pianos, Haags Gemeente Museum.
von Gleich.
Reviewed by: Montagu
[C-842 in Q50]
The harpsichord and fortepiano magazine, October 1987.
Reviewed by: Montagu
[C-843 in Q50]
The collection of musical instruments, Kunitachi College, Tokio.
Sumi Gunji et alii.
Reviewed by: Montagu
[C-844 in Q50]
Guide to the collection, Edinburgh university collection of historical musical instruments.
Reviewed by: Montagu
[C-845 in Q50]
Tasteninstrumente des Museums, Berlin.
Haase, Krickeberg.
Reviewed by: Montagu
[C-846 in Q50]
Ricerche su un violino di proprietà del comune di Rovereto.
Tiella, Negri, Primon.
Reviewed by: Montagu
[C-847 in Q50]
The new Grove dictionary of musical instruments. Montagu (J-K)
[C-848 in Q50]
The establishment of conservation standards and accreditation in the UK.
Montagu.
[C-849 in Q50]
London conference on early keyboard music and instruments.
Jones.
[C-850 in Q50]
A=415.3 and all that.
Mobbs.
[C-851 in Q50]
Strong iron wire and long scales in Italian harpsichords.
Wraight.
[C-852 in Q50]
English pianoforte wire - a controversy during the years 1823-1825.
Gug.
[C-853 in Q50]
Some strangeness in the proportion.
Fleming.
[C-854 in Q50]
On the double bass and related instruments before 1700.
Segerman.
[C-855 in Q50]
Is it a lyra viol or division viol or what?
Hütmannsberger.
[C-856 in Q50]
Pepys' viol.
Forrester.
[C-857 in Q50]
The cittern in Italy - notes, observations and speculations.
Forrester.
[C-858 in Q50]
A bore measurement tool.
Cronin.
[C-859 in Q50]
The new Grove dictionary of musical instruments. Segerman (H-I)
[C-860 in Q51]
Comments on C-731.
Downing.
[C-861 in Q51]
On English and French vocal and viol style.
Segerman.
[C-862 in Q51]
On accreditation.
Leigh.
[C-863 in Q51]
Further to C-849.
Ransley.
[C-864 in Q51]
Comments on woodwind restoration.
Ackerman.
[C-865 in Q51]
Jobst Meuler or the secret of a Nürnberg wire drawer.
Gug.
[C-866 in Q51]
On English lute sizes and tunings c.1600.
Segerman.
[C-867 in Q51]
List Musikinstrumentenmuseum, Berlin
[Plan in Q52]
The sound of the sackbut, Edinburgh university collection of historical musical instruments.
Lumsden.
Reviewed by: Montagu
[C-868 in Q52]
Harpsichord and fortepiano magazine, 4:5, April 1988.
Reviewed by: Montagu
[C-869 in Q52]
Journal of the Australian Association of musical instrument makers, March '88.
Reviewed by: Montagu
[C-869 in Q52]
Das Claviorganum (record).
Widensky.
Reviewed by: Montagu
[C-870 in Q52]
J.S. Bach Kompositionen für Lauteninstrumente (record).
Jaccottet.
Reviewed by: Montagu
[C-870 in Q52]
Convegno di Studi Organaria veneta: patrimonio e salvaguardia.
Montagu.
[C-871 in Q52]
The new Grove dictionary of musical instruments. Segerman (J-K)
[C-872 in Q52]
A reminder on the principles of scholarly choice.
Segerman.
[C-873 in Q52]
An international database on conservation techniques.
Winsor.
[C-874 in Q52]
UK conservation standards and accreditation.
Barnes.
[C-875 in Q52]
Registration of old musical instruments conducted by the historical monuments documentation centre, Warszawa.
[C-876 in Q52]
Musical instruments case makers.
Mactaggart.
[C-877 in Q52]
Ancient clarsach compared with modern clarsach.
Hobrough.
[C-878 in Q52]
Studies on the physical and technical construction bases of great Italian violin.
Suboni.
[C-879 in Q52]
Keeping geometrical analysis in proportion.
Smith.
[C-880 in Q52]
Salted soundboards and sweet sounds.
Gug.
[C-881 in Q52]
List Edinburgh University collection
[Plan in Q53]
Renaissance flute circle newsletter, vol. 1, no. 1 & 2 (1988).
Reviewed by: Jones
[C-882 in Q53]
Fünf Jahrhunderte Deutsche Musikinstrumentenbau.
Moeck (ed).
Reviewed by: Montagu
[C-883 in Q53]
Royal College of Music Museum, Set of 13 postcards.
Reviewed by: Montagu
[C-884 in Q53]
Loan exhibition of historic double reed instruments, 1988.
Young.
Reviewed by: Montagu
[C-885 in Q53]
The new Grove dictionary of musical instruments. Segerman (L)
[C-886 in Q53]
Drum rythms for dance music in the renaissance and middle ages.
[C-887 in Q53]
Montagu
[art in Q53]
Roman keyed tibi?
Galpin.
[C-888 in Q53]
.. in death I sing.
Haynes.
[C-889 in Q53]
Generic A=415.
Haynes.
[C-890 in Q53]
18th century German and French pitches?
Haynes.
[C-891 in Q53]
Peculiar tibi.
Montagu.
[C-892 in Q53]
Historic and experimental studies on brass used for organ reeds.
Gug.
[C-893 in Q53]
General: Course on applied conservation technology, Dundee
[art in Q54]
General: New acquisitions to the Fiske Museum, Ca
[art in Q54]
List the Shrine to Music Museum, Vermillion, USA (Italian stringed instruments)
[Plan in Q54]
General: Music and book reviews.
Montagu.
[art in Q54]
Manual or method of instrumentation for playing the Welsh harp.
Roberts.
Reviewed by: Montagu
[C-894 in Q54]
Harpsichord & Fortepiano magazine, October 1986.
Reviewed by: Montagu
[C-895 in Q54]
Larigot, no. 2, May 1988, October 1986.
Reviewed by: Montagu
[C-895 in Q54]
Galpin Society Journal XLI, 1988, October 1986.
Reviewed by: Montagu
[C-895 in Q54]
American Musical Instrument Society Journal XIII, 1987, October 1986.
Reviewed by: Montagu
[C-895 in Q54]
Early Music, November 1988, October 1986.
Reviewed by: Montagu
[C-895 in Q54]
Pitch, \*(p and other musical paradoxes: a practical guide to natural microtonality.
Lucy.
Reviewed by: Jones
[C-896 in Q54]
Account of the discovery of the scale of musick (1775?) (in above review).
Harrison.
Reviewed by: Jones
[C-896 in Q54]
The new Grove dictionary of musical instruments. Montagu (L-M)
[C-897 in Q54]
The new Grove dictionary of musical instruments. Segerman (M)
[C-898 in Q54]
Accreditation and elitism.
Barclay.
[C-899 in Q54]
Conservation standards and accreditation.
Karp.
[C-900 in Q54]
Historical tests on Pleyel's music wire, Paris 1811.
Gug.
[C-901 in Q54]
Ivory.
Powell.
[C-902 in Q54]
Urgent communication on ivory.
Haynes Powell..
[C-903 in Q54]
List Royal College of Music, London
[Plan in Q55]
Survey: Instruments by named makers; Jeremy Montagu Collection
[art in Q55]
The new Grove dictionary of musical instruments. Segerman (N-O)
[C-904 in Q55]
FoMRHI and conservation and restoration.
Chiverton.
[C-905 in Q55]
A response to Cary's C-900 on conservation and accreditation.
Montagu.
[C-906 in Q55]
University of Edinburgh collection; progress report 1988.
Meyers.
[C-907 in Q55]
Response to C-889.
Swayne.
[C-908 in Q55]
Plastic, ivory, gold and South Africa.
Powell.
[C-909 in Q55]
GPS Agencies artificial ivory.
Stevens.
[C-910 in Q55]
Instrument drawings.
Chiverton.
[C-911 in Q55]
High tech in instrument making.
Bezinger Evald.
[C-912 in Q55]
The flutes of Robert and Willem Wijne.
Bouterse.
[C-913 in Q55]
Observations on the wear of two keyboards separated 200 years.
Lee.
[C-914 in Q55]
No percussion in more part renaissance dance music.
Neumann.
[C-915 in Q55]
Rhetoric for the voice and instruments.
Segerman.
[C-916 in Q55]
The Birmingham wire gauge and its musical sisters.
Gug.
[C-917 in Q55]
Complete list Bate collection, Oxford
[Plan in Q56]
Survey: Publications by G. Dullat.
[art in Q56]
Musical instruments and publications, Haags Gemeente Museum.
[Plan in Q56]
Larigot no.5, May 1989.
Reviewed by: Montagu
[C-918 in Q56]
Traverso no.2, April 1989.
Reviewed by: Montagu
[C-919 in Q56]
Catalogue 8, bagpipes.
Kunitachi College, Tokio.
Reviewed by: Montagu
[C-920 in Q56]
the Sound of Oceania, Auckland Institute & Museum, 1989.
Moyle.
Reviewed by: Montagu
[C-921 in Q56]
The Early Mandolin, 1989.
Tyler, Sparks.
Reviewed by: Montagu
[C-922 in Q56]
Journal of the Australian Association of musical instrument makers, Oct 1989.
Reviewed by: Montagu
[C-923 in Q56]
The new Grove dictionary of musical instruments.
Reviewed by: Montagu (N)
[C-924 in Q56]
Comments on comments about conservation.
Karp.
[C-925 in Q56]
The destruction of the tropical rain forests - What can I do?
Lambert.
[C-926 in Q56]
Bassoon reeds by Triébert and Massabo.
White.
[C-927 in Q56]
Responses to C-903 on the subject of ivory.
Powell.
[C-928 in Q56]
Traverso Newsletter.
Powell.
[C-929 in Q56]
La Gaita Gastoreña.
[C-930 in Q56]
The Morley consort lessons and the English cittern.
Forrester.
[C-931 in Q56]
Historical wire micrometers and diameter values (1780 - 1850).
Gug.
[C-932 in Q56]
Fortepiano building in Vienna as reflected in the dispute between Jakob Bleyer & Martin Seufert.
Swenson.
[C-933 in Q56]
An unknown bentside spinet by Albert Delin.
Meeùs.
[C-934 in Q56]
Musical ensembles in festival books, 1500-1800; an iconographical and documentary survey.
Bowles.
Reviewed by: Montagu
[C-935 in Q57]
The recorder; a basic workshop manual.
Brown.
Reviewed by: Montagu
[C-936 in Q57]
Journal of the Australian Association of musical instrument makers, March '89.
Reviewed by: Montagu
[C-939 in Q57]
Ornamental metrics of recorders & traverso.
Kolberg.
Reviewed by: Montagu
[C-938 in Q57]
Wood as raw material for making musical instruments.
Richter.
Reviewed by: Chiverton
[C-939 in Q57]
Update on response to C-903 on the subject of ivory.
Powell.
[C-940 in Q57]
Don't go overboard about ivory.
Montagu.
[C-941 in Q57]
The use of drawings of original instruments.
Lambert.
[C-942 in Q57]
Traverso or traversa?
Powell.
[C-943 in Q57]
Harpsichord jacks at the Royal Swedish Academy of Science, 1739-1753.
Gug.
[C-944 in Q57]
Harpsichords, organs, trumpet, tromba marina (including photographs).
Lee.
[Plan in Q58]
The music and history of the baroque trumpet before 1721.
Smithers.
Reviewed by: Montagu
[C-945 in Q58]
Musica, musical instruments in Belgian collections.
Haine.
Reviewed by: Montagu
[C-946 in Q58]
Querflöten der Renaissance and des Barock, Band 1: Eine historisierende literarische Anthologie.
Schultze.
Reviewed by: Montagu
[C-947 in Q58]
The psaltery; an annotated audio-visual review of different types.
Van Ree Bernard.
Reviewed by: Montagu
[C-948 in Q58]
lute.
Gunji, Kunitachi College, Tokio.
Reviewed by: Montagu
[C-949 in Q58]
bowed string instruments.
Gunji, Kunitachi College, Tokio.
Reviewed by: Montagu
[C-949 in Q58]
Journal of the Australian Association of musical instrument makers, August '89.
Reviewed by: Montagu
[C-950 in Q58]
Larigot, November 1989.
Reviewed by: Montagu
[C-950 in Q58]
The new Grove dictionary of musical instruments. Segerman (P)
[C-951 in Q58]
Boston Museum of Fine Arts - 1989 Report.
Quigley.
[C-952 in Q58]
FoMRHI members teaching in Prague.
Loretto.
[C-953 in Q58]
The Prague Bressan bocal.
Loretto.
[C-954 in Q58]
Intonation tests on a post horn in F with one tone hole.
Rycroft.
[C-955 in Q58]
More on 19th century bassoon reeds.
Lehey.
[C-956 in Q58]
Woodwind instrument making: use of gun drills for long hole boring.
Goodacre.
[C-957 in Q58]
Woodwind instrument making: report on gun drills, live centre, metal turning tools, plastic calipers and 4-jaw self-centering chuck.
Goodacre.
[C-958 in Q58]
The Pythagorean system of musical tones, part 1.
Raudonikas.
[C-959 in Q58]
Whistles on harpsichord strings.
Bavington.
[C-960 in Q58]
Work done on clavichord #6 by Arnold Dolmetsch 1896/7.
Barnes.
[C-961 in Q58]
General: New acquisitions to the Fiske Museum, Ca
[art in Q59]
Handbook of conducting.
Scherchen.
Reviewed by: Montagu
[C-962 in Q59]
The piano: a history.
Ehrlich.
Reviewed by: Montagu
[C-963 in Q59]
Insect pests in museums.
Pinniger.
Reviewed by: Montagu
[C-964 in Q59]
The new Grove dictionary of musical instruments. Segerman (Q-R)
[C-965 in Q59]
Aulos, Stanesby junior traverso; Haka treble recorder.
Reviewed by: Montagu
[C-966 in Q59]
The Aulos baroque flute and descant and treble recorders.
Jones.
[C-967 in Q59]
The early 16th century Italian short octave.
Wraight.
[C-968 in Q59]
Viennese fortepiano tuning and maintenance manuals: a check-list.
McGeary.
[C-969 in Q59]
A contact-free woodwind bore measuring tool.
Schultze.
[C-970 in Q59]
University of Edinburgh collection of historic musical instruments, progress report 1989.
Meyers.
[C-971 in Q59]
Instrument courses in Prague.
Freeman.
[C-972 in Q59]
The killing of woodworm, particularly in woodwind instruments.
Freemanova.
[C-973 in Q59]
Throwing ivory overboard.
Powell.
[C-974 in Q59]
More on dead elephants.
Folkers.
[C-975 in Q59]
Geometry, lutherie and the art of historiography, part I.
Gug.
[C-976 in Q59]
List Bate collection, Oxford, supplement to the 1989 check list, July 1990
[Plan in Q60]
The new Grove dictionary of musical instruments. Segerman (S)
[C-977 in Q60]
Larigot no.7, March 1990.
Reviewed by: Montagu
[C-978 in Q60]
Catalogo degli Strumenti dell'Istituto della Pietà Venezia, Venezia 1990.
Tiella & Primon.
Reviewed by: Montagu
[C-979 in Q60]
Aulos Haka descant and treble recorders.
Reviewed by: Davis
[C-980 in Q60]
Reviews of musical instruments.
Powell.
[C-981 in Q60]
Further to C-981 - Are reviews justified?
Montagu.
[C-982 in Q60]
Style decoration and tone.
Segerman.
[C-983 in Q60]
Identifying woodworm.
Rawson.
[C-984 in Q60]
Old wood.
Way.
[C-985 in Q60]
The archetypal harpsichord.
Yokota.
[C-986 in Q60]
On three well proportioned alto recorders.
Brach.
[C-987 in Q60]
Catalogue 9, Flute.
Gunji, Kunitachi College, Tokio.
Reviewed by: Montagu
[C-988 in Q61]
I Quaderni della Civico Scuola di Musica, no.17, April 1989, Commune de Milano
[C-989 in Q61]
Larigot no.8, September 1990.
Reviewed by: Montagu
[C-990 in Q61]
Catalogue of the European musical instruments of the 17th-19th century (2nd issue).
Ueno Gakuen College Tokio.
Reviewed by: Montagu
[C-991 in Q61]
Restoration of early musical instruments, UKIC and V&A Christmas symposium 1983.
Reviewed by: Montagu
[C-992 in Q61]
Jaarboek van het Vlaamse centrum voor oude muziek 3, 1987.
Reviewed by: Montagu
[C-993 in Q61]
1990 instrument courses in Prague.
Freeman.
[C-994 in Q61]
Further to C-981: Reviewers and reviewers.
Chiverton.
[C-995 in Q61]
Further to C-981: Response to bulletin supplement 60.
Hailperin.
[C-996 in Q61]
Further to C-981: Reviews of musical instruments.
Rawson.
[C-997 in Q61]
Further to C-981.
Lambert.
[C-998 in Q61]
Further to C-981: Finding fault in the early bassoon: some thoughts on musical instrument reviewing.
White.
[C-999 in Q61]
Further to C-981 and C-982.
Bavington.
[C-1000 in Q61]
Further to C-966, C-967, C-981 and C-982: Should FoMRHI continue or not?
Henning.
[C-1001 in Q61]
Further to C-981: A controversial issue.
Powell.
[C-1002 in Q61]
Fixing the baroque flute.
Powell.
[C-1003 in Q61]
The Sorduen Bas.
Lloyd.
[C-1004 in Q61]
Misled by Mersenne? (on flutes).
Chiverton.
[C-1005 in Q61]
Ivory alternatives.
Paul.
[C-1006 in Q61]
How to design a recorder.
Brach.
[C-1007 in Q61]
Violin makers' inches in proportion.
Smith.
[C-1008 in Q61]
A comparison of some baroque violins.
Smith.
[C-1009 in Q61]
The early design of stringed instruments.
Chiverton.
[C-1010 in Q61]
The acoustics of mountain forests in early centuries, or the lost art of choosing resonance wood.
Gug.
[C-1011 in Q61]
Record, keyboard works of C.P.E. Bach by Brauchli.
Reviewed by: Montagu
[C-1012 in Q62]
Record, 18th century music for two keyboard instruments by Brauchli & Elizondo.
Reviewed by: Montagu
[C-1013 in Q62]
University of Edinburgh collection of historic musical instruments, progress report 1990.
Meyers.
[C-1014 in Q62]
The other Germany - well worth visiting.
Lambert.
[C-1015 in Q62]
Hard currency and Eastern Europe.
Lambert.
[C-1016 in Q62]
Reducing and enlarging paper sizes.
Lambert.
[C-1017 in Q62]
On the reviewing and modification of musical instruments.
Jones.
[C-1018 in Q62]
How recorders can improve with time.
Loretto.
[C-1019 in Q62]
An imaginative investigator without ... investigations (on accuracy and precision).
Gug.
[C-1020 in Q62]
New hypothesis on the construction of bass strings for lutes and other gut strung instruments.
Peruffo.
[C-1021 in Q62]
A dynamic harpsichord action.
Napier-Hemy.
[C-1022 in Q62]
List Société des Amis du Musée Instrumental, Paris (new address)
[Plan in Q63]
List Royal College of Music, London
[Plan in Q63]
List Smithsonian Institute, Washington DC
[Plan in Q63]
List Guild of American Luthiers, Tacoma WA
[Plan in Q63]
General: New acquisitions to the Fiske Museum, Ca
[art in Q63]
General: Leicester Early Music festival 1991
[art in Q63]
Larigot no.9, December 1990.
Reviewed by: Montagu
[C-1023 in Q63]
Journal of the Australian Association of musical instrument makers, November '90.
Reviewed by: Montagu
[C-1023 in Q63]
Transverse flutes down the centuries from all over the world, (Exhibition catalogue Frankfurt 1991).
Spohr.
Reviewed by: Montagu
[C-1024 in Q63]
Bouwbrief articles summarised, #51 - #58 (Nov '88 - Aug '90).
Chiverton.
[C-1025 in Q63]
From small acorns, large oak tress grow; a personal report on early music in Czechoslovakia.
Freeman.
[C-1026 in Q63]
A van load of instruments to Prague, June 1991.
Holden.
[C-1027 in Q63]
Musical instrument technology in 17th century England; meeting report Oxford 3 Feb '91.
Gouk.
[C-1028 in Q63]
Musical instrument technology 1450-1550; meeting report Oxford 17 Mar '91.
Napier-Hemy.
[C-1029 in Q63]
Corollaria to the modal scale theory (summary).
Raudonikas.
[C-1030 in Q63]
The Pythagorean system of musical tones, part 2.
Raudonikas.
[C-1031 in Q63]
Singing lessons for wood.
Catch.
[C-1032 in Q63]
The buzzing of wood strings.
Segerman.
[C-1033 in Q63]
The stringing of English and German guitars.
Segerman.
[C-1034 in Q63]
Culture mathematics and design of early instruments.
Segerman.
[C-1035 in Q63]
Some geometrical analyses of archings.
Segerman.
[C-1036 in Q63]
The descriptions of the Dutch recorders in the collection of the Haags Gemeente Museum.
Bouterse.
[C-1037 in Q63]
De blokfluit, handleiding voor aanschaf, onderhoud bijstemmen en kleine reparaties, 1990.
Bouterse.
Reviewed by: Bouterse
[C-1038 in Q63]
Appeal for pitches of original traversos and recorders.
Haynes.
[C-1039 in Q63]
Wood bending process in 18th century England.
Gug.
[C-1040 in Q63]
A 17th century French harpsichord.
Nobbs.
[C-1041 in Q63]
The walnut revisited (a harpsichord in Landesmuseum Stuttgart).
Jurgenson.
[C-1042 in Q63]
Is looking seeing? (an Italian harpsichord description).
Jurgenson.
[C-1043 in Q63]
Martin Frères & Famille, Paris, 93 rue de la Chapelle.
ACIMV [Larigot] Wind instrument makers and their catalogues, No.1.
[C-1044 in Q64]
John Paul - An appreciation.
[C-1045 in Q64]
Dear Jeremy (A letter to J.M. on authenticity).
Way.
[C-1046 in Q64]
On teaching wood to sing.
Way.
[C-1047 in Q64]
Reconstructing Mersenne's basson and fagot.
Lyndon-Jones Harris.
[C-1048 in Q64]
Preatorius' Basset Nicolo - Lang Strack Basset zu den Krumhörner, or Centaur, mythical beast?
Foster.
[C-1049 in Q64]
Paper organ pipes.
Gill.
[C-1050 in Q64]
The longitudinal structure of the Bizey boxwood flute (Bate collection No.106).
Brach.
[C-1051 in Q64]
Dutch recorders and transverse flutes of the 17th and 18th century. (list of instruments, July 1991).
Bouterse.
[C-1052 in Q64]
Some English viol belly shapes.
Segerman.
[C-1053 in Q64]
Mersenne's monochord.
Napier-Hemy.
[C-1054 in Q64]
Essays of Pythagorean system; primary concepts and two-dimensional syntax.
Raudonikas.
[C-1055 in Q64]
Evidence of historical temperament from fretted clavichords.
Bavington Hellon.
[C-1056 in Q64]
A signed Mietke harpsichord.
Kilström.
[C-1057 in Q64]
Dutch recorders of the 18th century (collection Haags Gemeente Museum).
van Acht, van den Ende, Schimmel.
Reviewed by: Montagu
[C-1058 in Q65]
Catalogue de la Collection d'instruments de musique à vent, tome 2, numéro special 1 du bulletin Larigot, ACIMV.
Kampmann.
Reviewed by: Montagu
[C-1059 in Q65]
Cartledge, Catalogue of the brass musical instruments in the collection of Bradford art galleries & museums.
Myers.
Reviewed by: Montagu
[C-1060 in Q65]
Catalogue of the European wind and percussion instruments in the Cyfarthfa Castle museum collection.
Myers, Herbert.
Reviewed by: Montagu
[C-1060 in Q65]
Snakes are Beautiful - with gratitude to Christopher Monk.
Reviewed by: Montagu
[C-1061 in Q65]
Paper portative organ pipes.
Bridges.
[C-1062 in Q65]
English pitch standards, mostly c.1600.
Segerman.
[C-1063 in Q65]
Praetorius's Basset Nicolo, a reply to C-1049.
Gire.
[C-1064 in Q65]
Singing lessons for wood.
Catch.
[C-1065 in Q65]
Memories of John Paul.
White.
[C-1066 in Q65]
From Purcell to perestroika, early keyboard in the USSR.
Stembridge.
[C-1067 in Q65]
Essays of Pythagorean system; 3. three-dimensional syntax.
Raudonikas.
[C-1068 in Q65]
Verzeichnis sämtlicher Musikinstrumente, Germanisches National Museum, 1989, 415 pp.
Huber.
Reviewed by: Montagu
[C-1069 in Q66]
A handbook of historical stringing practice for keyboard instruments, 1991, 132 pp & graphs.
Rose, Law.
Reviewed by: Montagu
[C-1070 in Q66]
Händel & Scarlatti on the 1772 Kirckman harpsichord Ashmolean museum, CD or cassette.
Souter.
Reviewed by: Montagu
[C-1071 in Q66]
the Hanover Band, Huggett, Verney, Beethoven symphony #2, piano concerto #3.
Reviewed by: Montagu
[C-1071 in Q66]
Martin Best Medieval Ensemble, the last of the troubadours.
Reviewed by: Montagu
[C-1071 in Q66]
Trip to the Baltic states; including the Museum of Theatre and Music, Vilnius, the Museum of Theatre and Music, Tallinn, the Latvian State Museum, the Riga Museum of History and Shipping, Riga.
Reviewed by: Madgwick
[C-1072 in Q66]
The chemical treatment of timber - part II, general.
Downing.
[C-1073 in Q66]
The chemical treatment of timber - includes bogwood, bog oak, bog pine, alder.
Downing.
[C-1074 in Q66]
Guilt-free music; on vegetarians.
Russell.
[C-1075 in Q66]
Teaching wood to sing, and other matters; on scientist and musicians.
Way.
[C-1076 in Q66]
Teaching wood to sing; a reply to C-1032 and C-1047.
Swayne.
[C-1077 in Q66]
Italian short octaves; why did they exist?
Bence.
[C-1078 in Q66]
On early music; why is there an early music movement and not an early painting movement?
Segerman.
[C-1079 in Q66]
Design of the V&A Rose and Jaye viol soundholes.
Segerman.
[C-1080 in Q66]
More on Praetorius' Basset Nicolo, a reply to C-1064.
Foster.
[C-1081 in Q66]
Response to Eph Segerman's C-1063; on English pitch standards.
Haynes.
[C-1082 in Q66]
Essays of Pythagorean system; 4. four-dimensional syntax; 5. auscultation researches.
Raudonikas.
[C-1083 in Q66]
Essays of Pythagorean system; 6. spectrum of coherencies; 7. classification of modalities.
Raudonikas.
[C-1083 in Q66]
Essays of Pythagorean system; Supplement: representation of scale by point or the modular projection.
Raudonikas.
[C-1083 in Q66]
Various comments (on C-1082, C-1077, C-1078 and C-1081).
Montagu.
[C-1084 in Q67]
Bouwbrief articles (from 1991, #59 until 1991, #63).
Chiverton.
[C-1085 in Q67]
A small miscellany of bits and pieces.
Chiverton.
[C-1086 in Q67]
Progress report 1991 on the collection of historic musical instruments of the Edinburgh University.
Myers.
[C-1087 in Q67]
An inexpensive, easily made counter bore that works.
Rhoads.
[C-1088 in Q67]
Bajón reeds.
White.
[C-1089 in Q67]
The reality of musicians and scientists: response to C-1076.
Segerman.
[C-1090 in Q67]
Singing lessons for wood.
Catch.
[C-1091 in Q67]
Some more aspects about fiddle making.
Talve.
[C-1092 in Q67]
Jerome of Moravia's first fiddle tuning as an individualised modal framework.
Zaerr.
[C-1093 in Q67]
Travelling in the 16th century and .... lute strings.
Gug.
[C-1094 in Q67]
Short octaves.
Barnes.
[C-1095 in Q67]
Shelley's guitar and 19th century stringing practices.
Segerman.
[C-1096 in Q67]
Sympathetic strings.
Segerman.
[C-1097 in Q67]
Reply to C-891 (on 18th century German and French pitches) by Bruce Haynes?
Segerman.
[C-1098 in Q67]
Further comments to the pitch dispute.
Haynes, Segerman.
[C-1099 in Q67]
Early 18th century English pitches, especially 'consort flute pitch' and 'church pitch of f'.
Segerman.
[C-1100 in Q67]
Comments on early 18th century organ pitches.
Gwynn.
[C-1101 in Q67]
List the Bate collection of musical instruments, Oxford. Montagu
[Plan in Q68]
List of available drawings housed in the Bate collection.
Montagu.
[Plan in Q68]
Comments to C-1093 (fiddle tunings).
Segerman.
[Suppl in Q68]
the art of the trumpet maker: the material, tools, and techniques used in the 17th and 18th century in Nuremberg; 186 pp.
Barclay.
Reviewed by: Montagu
[C-1103 in Q68]
the baroque clarinet, 197 pp.
Rice.
Reviewed by: Segerman
[C-1104 in Q68]
Meråker Klarinetten; Ringve Museums Skrifter nr.5, 33 pp.
Aksdal.
Reviewed by: Montagu
[C-1105 in Q68]
Music for the oboe 1650-1800: a bibliography.
Haynes.
Reviewed by: Montagu
[C-1106 in Q68]
The conservation and technology of musical instruments, Art & Archeology Technical Abstracts, vol. 28, no. 3, 237 pp.
Karp et al..
Reviewed by: Montagu
[C-1107 in Q68]
Strumenti di Antonio Stradivari, 68 pp.
Tiella, Beare, et al..
Reviewed by: Montagu
[C-1108 in Q68]
More sympathetic strings?
Webb.
[C-1109 in Q68]
Forsyth (1914) quotes on viols.
Cousen.
[C-1110 in Q68]
What is a 'copy' of an original instrument?
Segerman.
[C-1111 in Q68]
An analysis of Irish harp scaling.
Downing.
[C-1112 in Q68]
Edinburgh Collection of Historic Musical Instruments.
Myers, ed..
Reviewed by: Montagu
[C-1113 in Q69]
Zabytkowe Organy, Wydawnictwo Naukowe PWN, 1992; 422 pp.
Rosiónski.
Reviewed by: Montagu
[C-1114 in Q69]
Stownik Terminologiczny Zabytków [Dictionary of the Polish terminology of Historic Musical Instruments], 1991; 209 pp.
Golos, Kobus & Vogel.
Reviewed by: Montagu
[C-1114 in Q69]
Przewodnik Po Dawnym Instrumentarium, 1998; 184 pp.
Golos.
Reviewed by: Montagu
[C-1114 in Q69]
Fluting and Dancing, 1992; 200 pp.
Lasocki, ed..
Reviewed by: Montagu
[C-1115 in Q69]
The Oxford companion to musical instruments, 1992; 404 pp.
Baines.
Reviewed by: Montagu
[C-1116 in Q69]
Comments on Jeremy Montagu's review of the Conservation and Technology of Musical Instruments' in C-1107.
Karp.
[C-1117 in Q69]
Addendum to C-1111: What is a 'copy' of an original instrument?.
Loretto.
[C-1118 in Q69]
The post-modernist bassoon: problems with 'authenticity' in early woodwind reproductions (marketing, facade and the early music industry steamroller).
White.
[C-1119 in Q69]
Some flute pitches.
Chiverton.
[C-1120 in Q69]
How to design a traverso.
Brach.
[C-1121 in Q69]
A string and tuning guide for the Irish harp.
Downing.
[C-1122 in Q69]
Short octaves (see also C-1078 and C-1095).
Barnes.
[C-1123 in Q69]
How my harpsichord goes out of tune.
Lee.
[C-1124 in Q69]
On Italian harpsichord jacks and sympathetic strings.
Greenberg.
[C-1125 in Q69]
On Spanish harpsichord jacks and sympathetic strings.
Greenberg.
[C-1126 in Q69]
English organs and transposition skills (with an appendix of a catalogue of methods of transposition).
Segerman.
[C-1127 in Q69]
Fascination with the chekker is alive and well.
Segerman.
[C-1128 in Q69]
Tempos and time signatures in 17th century England.
Segerman.
[C-1129 in Q69]
Duple tempi and time signature in the 16th century (appendix Gaffurius's 'breathing' and Neusidler's counting).
Segerman.
[C-1130 in Q69]
The Oxford companion to musical instruments, 1992; 404 pp.
Baines.
Reviewed by: Montagu
[C-1131 in Q70]
The early Flute, 1992; 164 pp.
Solum.
Reviewed by: Montagu
[C-1132 in Q70]
Edinburgh Collection of Historic Musical Instruments, volumes 1 (the illustrations, 168 pp) and 2 (the descriptive fascicles, 44 pp).
Myers, ed..
Reviewed by: Montagu
[C-1133 in Q70]
Violin fraud: deception, forgery, theft, and the law, 1992; 126 pp.
Harvey.
Reviewed by: Montagu
[C-1134 in Q70]
Bouwbrief articles (summarises nr 65 to 67).
Chiverton.
[C-1135 in Q70]
The clarinet d'amour: e request for additional information.
Rice.
[C-1136 in Q70]
Woodwind instrument making: use of gun drills for long hole boring; supplement to C-957.
Goodacre.
[C-1137 in Q70]
Woodwind instrument making: wooden collet chucks for lathe work.
Goodacre.
[C-1138 in Q70]
Drilling and boring process for chanters and drones.
McLaren.
[C-1139 in Q70]
A case for CNC (Computer Numeric Control); computer aided reamer production for woodwind instruments.
Jefferies.
[C-1140 in Q70]
Low cost CNC (Computer Numeric Control).
Jefferies.
[C-1141 in Q70]
Re C-1119.
Stanley.
[C-1142 in Q70]
Meanness of tone; re C-1119.
M. Lyndon-Jones.
[C-1143 in Q70]
On the contrary; re C-1119.
G. Lyndon-Jones.
[C-1144 in Q70]
Comments on C-1119.
G. Lyndon-Jones.
[C-1145 in Q70]
Re C-1119.
Grazzi.
[C-1146 in Q70]
Beethoven and the early music industry.
Segerman.
[C-1147 in Q70]
On embellishment function and context.
Segerman.
[C-1148 in Q70]
Applying the principles of stringing plucked instruments to the Irish harp.
Segerman.
[C-1149 in Q70]
An attribution of an unsigned spinet.
Wraight.
[C-1150 in Q70]
Harpsichord dampers; historic vs. modern.
Irvin.
[C-1151 in Q70]
Through dampers (double dampers).
Irvin.
[C-1152 in Q70]
More on sympathetic strings.
Irvin.
[C-1153 in Q70]
an addition to C-1130
[Suppl in Q71]
General: 1992 Acquisitions at the Fiske Museum
[art in Q71]
General: CIMCIM publications currently available
[art in Q71]
General: Tutors from the Bate Collection
[art in Q71]
General: Instructions for working tagua nuts, a substitute for ivory
[art in Q71]
Checklist of technical drawings of musical instruments in public collections of the world, 185 pp., 1992.
van Acht.
Reviewed by: Montagu
[C-1154 in Q71]
1992 Report from the Czechoslovakian Society of Makers of Historical Reproduction Musical Instruments.
Freeman.
[C-1155 in Q71]
Cow bells, a request.
Montagu.
[C-1156 in Q71]
More on Beethoven and the early music industry.
Montagu.
[C-1157 in Q71]
On current uniformity in performing style.
Segerman.
[C-1158 in Q71]
Conflicting philosophies in the bassoon controversy.
Segerman.
[C-1159 in Q71]
The hallmark of good restoration is ruthless authenticity.
White.
[C-1160 in Q71]
Reamers - hollow.
Loretto.
[C-1161 in Q71]
Make your own imitation ivory.
Ackerman.
[C-1162 in Q71]
CNCs, the sledgehammer and the nut.
Ackerman.
[C-1163 in Q71]
The `Zängelmass' of the wire drawer; a documentary confirmation of the 16th century.
Gug.
[C-1164 in Q71]
On harpsichord dampers again.
Greenberg.
[C-1165 in Q71]
A comment on C-1150.
Koster.
[C-1166 in Q71]
Medieval sound boxes, to be glued or not.
Segerman.
[C-1167 in Q71]
Fingerboard shapes and graded frets.
Segerman.
[C-1168 in Q71]
Recreating the Irish harp - a comment to C-1149.
Downing.
[C-1169 in Q71]
Drawings available. Bouterse
[Plan in Q72]
English viol bellies, made of bent strip?
Segerman.
[Suppl in Q72]
Correction to C-1129.
[Suppl in Q72]
Restoration, on an article in the New Scientist, 26 June 1993.
Segerman.
[Suppl in Q72]
Recommendation for the conservation of musical instruments: an annotated bibliography. 19 pp. 1993.
CIMCIM publication no.1.
Reviewed by: Montagu
[C-1170 in Q72]
Journal of the Australian Association of musical instrument makers, vol.XII no.1, March '93.
Reviewed by: Montagu
[C-1171 in Q72]
Do you get excited when the postman brings your Q?
Lyndon-Jones.
[C-1172 in Q72]
Welcome back the Hunter - income from the ivory trade is the best assurance for the survival of elephants.
Jenkins.
[C-1173 in Q72]
A counterblast to the Calvinist tendency (further to C-1119, C-1143, C-1146, C-1159, C-1160).
Bavington.
[C-1174 in Q72]
Blow somewhat strong.
Wood.
[C-1175 in Q72]
A preliminary reply to C-1119 and C-1160.
Kirckpatrick.
[C-1176 in Q72]
A rejoinder to a response to C-1157.
Montagu.
[C-1177 in Q72]
A comm on C-1137, C-1161, C-1163.
Jefferies.
[C-1178 in Q72]
A low cost CAD/CAM.
Jefferies.
[C-1179 in Q72]
Request for information (an Italian harpsichord).
Greenberg.
[C-1180 in Q72]
Some remarks on the W. Beukers baroque oboe (museum code 808/69) in the V&A Museum in London.
Bouterse.
[C-1181 in Q72]
Medieval glues ... sounded well! Gug
[C-1182 in Q72]
General: Brassware for keyboard instruments.
Law.
[art in Q73]
List of workshop drawings from the Edinburgh University Collection of Historic Musical Instruments
[Plan in Q73]
The Woodwind Quartely, issue 2.
Reviewed by: Montagu
[C-1183 in Q73]
Great flute makers of France: the Lot and Godfroy families 1650-1900.
Giannini.
Reviewed by: Montagu
[C-1184 in Q73]
Makers of the piano 1700-1820.
Novak Clinkscale.
Reviewed by: Cole
[C-1185 in Q73]
Real instruments and fake putti.
Lyndon-Jones.
[C-1186 in Q73]
An interesting organ loft in Antwerp.
Lyndon-Jones.
[C-1187 in Q73]
Memlinc revisited - further to C-203, C-411 and C-659.
Montagu.
[C-1188 in Q73]
Timber - swelling and shrinking.
Allen.
[C-1189 in Q73]
A letter on the Pythagorean system. Raudonikas
[C-1190 in Q73]
Response to Bavington's C-1174 criticising criticism of Early Musicians.
Segerman.
[C-1191 in Q73]
Response to Wood's C-1175 criticising criticism of Early Musicians.
Segerman.
[C-1192 in Q73]
The sharp eared minority and the effects of its power.
Segerman.
[C-1193 in Q73]
Where have all the creative amateurs gone?
Segerman.
[C-1194 in Q73]
Ruthless authenticity.
Jefferies.
[C-1195 in Q73]
Relevant CNC.
Jefferies.
[C-1196 in Q73]
Positioning pivot holes in turned rings.
Gill.
[C-1197 in Q73]
A simple way to hold work on a lathe.
Ransley.
[C-1198 in Q73]
Authentic methods of making woodwinds.
Ramsley.
[C-1199 in Q73]
The sizes and pitches of Praetorius's sackbuts.
Segerman.
[C-1200 in Q73]
Mean-tone fretting by computer or calculator.
Segerman.
[C-1201 in Q73]
Violin makers in Milano 17th-18th century.
Chiesa.
[C-1202 in Q73]
Catlin(g)s: the etymology.
Catch.
[C-1203 in Q73]
Equal tension stringing of the Irish harp.
Downing.
[C-1204 in Q73]
Mortice and tenon joints on the Irish harp.
Downing.
[C-1205 in Q73]
General: Genuine boxwood
[art in Q74]
General: African ebony
[art in Q74]
The accounts of Thomas Green 1742-1790.
Gillian Sheldrick, ed..
Reviewed by: 169 pp. Montagu
[C-1206 in Q74]
A musical Directory for the year 1794.
Joseph Doane.
Reviewed by: Montagu
[C-1207 in Q74]
Peter Holman, Four and twenty fiddlers; the violin at the English Court 1540-1690. 491 pp.
Montagu.
[C-1208 in Q74]
The new Langwill index - a dictionary of musical instrument makers and inventors. 518 pp.
William Waterhouse.
Reviewed by: Montagu
[C-1209 in Q74]
Larigot; annual subscription to ACIMV.
Reviewed by: Montagu
[C-1210 in Q74]
Edinburgh Collection of Historic Musical Instruments, catalogue Vol 2;E;ii, William Waterhouse, Bassoons.
Reviewed by: Montagu
[C-1211 in Q74]
Edinburgh Collection of Historic Musical Instruments, catalogue Vol 2;H;iii, Arnold Myers & Raymond Parks, Trumpets and Trombones.
Reviewed by: Montagu
[C-1211 in Q74]
What can we reasonably expect museums to provide or allow? (on measuring instruments).
Montagu.
[C-1212 in Q74]
Measuring instruments in museums & conservation.
Ransley.
[C-1213 in Q74]
Suppliers of materials.
Gill.
[C-1214 in Q74]
A reply to comments from various members on C-1174.
Bavington.
[C-1215 in Q74]
Some observations on the `natural' trumpet.
Barclay.
[C-1216 in Q74]
On musicologists and early music.
Segerman.
[C-1217 in Q74]
Scholarship, statistics, and the minimum amount of evidence needed.
Segerman.
[C-1218 in Q74]
Well under a thousand words for the ivory ban.
Powell.
[C-1219 in Q74]
Praetorius' keyless curtals.
Lyndon-Jones.
[C-1220 in Q74]
A wizard lizard (a 5-keyed cornett in the Stadtmuseum of Munich).
Lyndon-Jones.
[C-1221 in Q74]
Checklist of some of the woodwinds at the Stadtmuseum, Munich.
Lyndon-Jones.
[C-1222 in Q74]
On the difference between early and modern baroque reeds.
Segerman.
[C-1223 in Q74]
Augsburg revisited (the curtals in the Maximilian Museum).
Lyndon-Jones.
[C-1224 in Q74]
C.N.C. reamer experiment. July 1992.
Jefferies.
[C-1225 in Q74]
Some historical notes on acid staining.
Owen.
[C-1226 in Q74]
Expanding boxwood and playing in.
Kirckpatrick.
[C-1227 in Q74]
The good oil; what really happens when you oil your recorder.
Simmons.
[C-1228 in Q74]
Restoration report, 17th century Italian harpsichord at Music-Sources, 1993.
Greenberg.
[C-1229 in Q74]
Harpsichord voicing.
Cole.
[C-1230 in Q74]
Milanese keyboard makers - 16th century.
Chiesa.
[C-1231 in Q74]
An alphabetical string gauge system.
Downing.
[C-1232 in Q74]
A c. 1900 string gauge and an unwound viola C string.
Segerman.
[C-1233 in Q74]
Historical violin stringings up to 1900.
Segerman.
[C-1234 in Q74]
On catlines and Pistoy basses.
Segerman.
[C-1235 in Q74]
Bogwood again (further to C-1074).
Downing.
[C-1236 in Q74]
Below bridge bars in lutes - a missing link?
Downing.
[C-1237 in Q74]
Bate collection, three new plans (flutes by Delerablé, Lot, and Kirst)
[Plan in Q75]
General: 1993 Acquisitions at the Fiske Museum
[art in Q75]
General: CompuServe announcement on making musical instruments
[art in Q75]
Edinburgh University collection of historical instruments, catalogue, vol 2A, wind instruments of regional cultures worldwide.
Cooke.
Reviewed by: Montagu
[C-1238 in Q75]
Das goldene Zeitalter der Flöte, Frankreich 1832-1932, 270 pp., Montagu
Lenski, Ventzke.
[C-1239 in Q75]
The keyed monochord; rediscovery of a forgotten instrument, 48 pp.
van Ree Bernard.
Reviewed by: Montagu
[C-1240 in Q75]
Musica Getutscht, (tr Beth Bullard), 275 pp.
Virdung.
Reviewed by: Montagu
[C-1241 in Q75]
The FoMRHI Quarterly review of `Makers of the Piano 1700-1820', a question of interpretation or a statement of misunderstanding (further to C-1185).
Novak Clinkscale.
[C-1242 in Q75]
Somewhat about understandings (further to C-1190).
Raudonikas.
[C-1243 in Q75]
Unwelcome honesty doesn't help - a response to C-1216 (and to C-1215).
Segerman.
[C-1244 in Q75]
Are our instruments HISTORIC or HISTORICAL?
Myers.
[C-1245 in Q75]
Association in instrument collections.
Myers.
[C-1246 in Q75]
Nominal pitch.
Myers.
[C-1247 in Q75]
Measuring instrument pitch with a pocket tuner.
Downing.
[C-1248 in Q75]
On the measurement of tessitura and movement in music.
Segerman.
[C-1249 in Q75]
An equal tempered scale for tempo.
Segerman.
[C-1250 in Q75]
Gerle on tempo.
Segerman.
[C-1251 in Q75]
The transposing organ and choir pitch in England: a short test.
Goetze.
[C-1252 in Q75]
Early instruments in St Petersburg.
Henning.
[C-1253 in Q75]
Catlin, coloured and loaded strings.
Catch.
[C-1254 in Q75]
On historical string tensions on lutes.
Segerman.
[C-1255 in Q75]
Stringing 5-course baroque guitars.
Segerman.
[C-1256 in Q75]
The curtals of the Maximilian Museum Augsburg: a reply to C-1224.
Tremmel.
[C-1257 in Q75]
Making a stamp or branding iron for marking musical instruments.
King.
[C-1258 in Q75]
Three boxwood oboes by Hendrik Richters.
Bouterse.
[C-1259 in Q75]
Woodwinds - boring pipes.
Downing.
[C-1260 in Q75]
The transposing organ and choir pitch in England: answers to C-1252).
Goetze.
[C-1261 in Q75]
Key lever fulcrum pin mortices.
Robson.
[C-1262 in Q75]
On the wings of the muse or songs of historical feathers (on harpsichord quills and voicing).
Gug.
[C-1263 in Q75]
The Canadian vocalion.
Downing.
[C-1264 in Q75]
The nature of theoretical musical communication.
Raudonikas.
[C-1265 in Q75]
Syntax of relative two-dimensional mode.
Raudonikas.
[C-1266 in Q75]
Bate collection, two new plans (harpsichords by William Smith, and by Joannes Goermans).
[Plan in Q76]
On C-1245 (`historic' or `historical').
[Suppl in Q76]
On C-1278 (disputational style).
[Suppl in Q76]
List Royal College of Music, London
[Plan in Q76]
General: Portraits in the Royal College of Music, London
[art in Q76]
The harp in its present improved state compared with the original pedal harp, London 1821.
Pierre Erard.
Reviewed by: Montagu
[C-1267 in Q76]
The Highland harp (part 2 of `Musical Instruments, Edinburgh 1904).
Robert Bruce Armstrong.
Reviewed by: Montagu
[C-1267 in Q76]
Larigot 15, June 1994, ACIMV.
Reviewed by: Montagu
[C-1268 in Q76]
Mandolins of the 18th century, 154 pp.
Stephen Morey.
Reviewed by: Montagu
[C-1269 in Q76]
4900 historical woodwind instruments, 270 pp.
Phillip T. Young.
Reviewed by: Montagu
[C-1270 in Q76]
Questions on bending and a plan for crumhorns.
Buck.
[C-1271 in Q76]
`Let us now praise famous men ...', an obituary for Michael Morrow.
Montagu.
[C-1272 in Q76]
Michael Morrow.
Segerman.
[C-1273 in Q76]
Reply to Raudonikas's C-1243.
Segerman.
[C-1274 in Q76]
Letter to the membership as whole (further to C-1243).
Raudonikas.
[C-1275 in Q76]
Occam's razor: the formal method for ensuring objectivity in scholarship.
Segerman.
[C-1276 in Q76]
FoMRHI on the Internet.
Rawson.
[C-1277 in Q76]
A kinder, gentler FoMRHI?
Cronin.
[C-1278 in Q76]
On writing a history of the oboe in the 19th century.
Burgess.
[C-1279 in Q76]
A `bajón' for London.
Waterhouse.
[C-1280 in Q76]
Forces exerted by bore measuring techniques.
Cronin.
[C-1281 in Q76]
Early sound generation: bassoon reeds.
White.
[C-1282 in Q76]
Making one's Mark.
Lyndon-Jones.
[C-1283 in Q76]
More putti in the Stiftsbasilika at Waldsassen.
Lyndon-Jones.
[C-1284 in Q76]
A note on `the good oil' (C-1228) by T. Simmons.
Guida.
[C-1285 in Q76]
Theobald Böhm as a flute maker.
Böhm.
[C-1286 in Q76]
The scale of the psalter.
Crookes.
[C-1287 in Q76]
On Venice catlins, lyons, Pistoy basses and loaded weighted bass gut strings (see also C-1235, C-1254 and C-1255).
Peruffo.
[C-1288 in Q76]
More on the name `catline' (see also C-1254).
Segerman.
[C-1289 in Q76]
On early 17th century English vocal and organ pitches.
Segerman.
[C-1290 in Q76]
On C-1287 by D.Z. Crookes.
Segerman.
[Suppl in Q77]
On Early Music and music history.
Segerman.
[Suppl in Q77]
Keyboard musical instruments in the Museum of Fine Arts Boston (408 pp).
John Koster.
Reviewed by: Irvin
[C-1291 in Q77]
Keyboard musical instruments in the Museum of Fine Arts Boston (408 pp).
John Koster.
Reviewed by: Cole
[C-1292 in Q77]
European musical instruments in Liverpool Museum (182 pp).
Pauline Rushton, ed..
Reviewed by: Cole
[C-1293 in Q77]
European musical instruments in Liverpool Museum (182 pp).
Pauline Rushton, ed..
Reviewed by: Montagu
[C-1294 in Q77]
Historische Lacke und Beizen auf Musikinstrumenten in deutschsprachigen Quellen bis 1900 (158 pp).
Eszter Fontana, Friedemann Hellwig, Klaus Martius.
Reviewed by: Segerman
[C-1295 in Q77]
La recherche en organologie; les instruments de musique occidenteaux, 1960-1992.
Florence Gétrau, ed..
Reviewed by: Montagu
[C-1296 in Q77]
Klangführer durch die Sammlung alter Musikinstrumente, Wien, Kunsthistorisches Museum.
Gerhard Stradner, ed..
Reviewed by: Montagu
[C-1297 in Q77]
A method of bushing wrestplanks.
Law.
[C-1298 in Q77]
The Davidic notation system, a sequel to C-1287.
Crookes.
[C-1299 in Q77]
the internet mailing lists and Micat-L.
Stroom.
[C-1300 in Q77]
Further to C-1278 `a kinder, gentler FoMRHI'.
Spohr.
[C-1301 in Q77]
Thoughts on C-1276 `Occam's razor'.
White.
[C-1302 in Q77]
Response to C-1302 on Occam's razor.
Segerman.
[C-1303 in Q77]
For an open and honest FoMRHI - reply to C-1218.
Segerman.
[C-1304 in Q77]
Four great curtals from Augsburg, Sonderhausen and Pillnitz.
Lyndon-Jones.
[C-1305 in Q77]
Instruments at Schloss Pillnitz.
Lyndon-Jones.
[C-1306 in Q77]
On historical lute string types and tensions (including a response to C-1288).
Segerman.
[C-1307 in Q77]
Strings and their names.
Catch.
[C-1308 in Q77]
On melodic and continuo bowing of early fiddles and viols.
Segerman.
[C-1309 in Q77]
Wood absorption (further to C-1227, C-1228, C-1285)
[Suppl in Q78]
The Hoogsteder Exhibition of Music & Painting in the Golden Age.
Reviewed by: 386pp, CD + photo CD. 130 Dfl. Montagu
[C-1310 in Q78]
The recorder - a guide to writings about the instrument for players & researchers.
Griscomb & Lasocki.
Reviewed by: 504pp. Montagu
[C-1311 in Q78]
Klangführer durch die Sammlung alter Musikinstrumente, Wien, Kunsthistorisches Museum - part 2 (further to C-1297).
Gerhard Stradner, ed..
Reviewed by: Montagu
[C-1312 in Q78]
The British Clavichord Society BCE.
Alexander-Max.
[C-1313 in Q78]
On manners, status and C-1301.
Segerman.
[C-1314 in Q78]
The world according to Segerman.
Stroom.
[C-1315 in Q78]
Contrasts between string and woodwind gracing in Purcell's time.
Segerman.
[C-1316 in Q78]
On the scholarship of string names, a reply to C-1308.
Segerman.
[C-1317 in Q78]
Roped gut bass strings - a 16th century reference.
Downing.
[C-1318 in Q78]
Chinese catlines.
Downing.
[C-1319 in Q78]
All at sea with the ship's cat.
Downing.
[C-1320 in Q78]
Talbot's English theorbo reconsidered.
van Edwards.
[C-1321 in Q78]
Geometrical design of the lute belly.
Chiverton.
[C-1322 in Q78]
Ebony.
Camwood ltd..
[C-1323 in Q78]
c-1324 Lute: angled bridges, `J' shaped bars, fan bars and below the bridge transverse bars.
Mather.
[art in Q78]
Further help with C-1197.
Mather.
[C-1325 in Q78]
David's three-part organum (sequel to C-1299).
Crookes.
[C-1326 in Q78]
Praetorius' brass instruments and cammerthon.
Heavens, Segerman.
[C-1327 in Q78]
Praetorius' pitchpipe pfeifflin zur Chormass.
Heavens.
[C-1328 in Q78]
Transposing organs and pitch in England: response to Segerman's C-1290.
Goetze.
[C-1329 in Q78]
Corrections to C-1316.
[Suppl in Q79]
Further to C-1318.
[Suppl in Q79]
Fortepianos and their music. 158 pp.
Katalin Komlós.
Reviewed by: Cole
[C-1330 in Q79]
The new Langwill Index: a dictionary of musical wind instrument makers and inventors.
William Waterhouse.
Reviewed by: 518 pp. 1993. White
[C-1331 in Q79]
Thoughts after the New Langwill Index.
Smith.
[C-1332 in Q79]
A reply to Jeremy Montagu's review of Richard Griscomb & David Lasocki, the Recorder: a guide to writings about the instrument for players and researchers (C-1311).
Lasocki.
[C-1333 in Q79]
About the difficulties of delivering a message and some replies to C-1314.
Spohr.
[C-1334 in Q79]
On Stroom's C-1315.
Segerman.
[C-1335 in Q79]
A revised hypothesis for the early music meaning of the word `Consort'.
Segerman.
[C-1336 in Q79]
Wood science.
Beament.
[C-1337 in Q79]
Preserving passion and conviction: fend off the flaccid.
White.
[C-1338 in Q79]
Where do we want to go?
Rawson.
[C-1339 in Q79]
Progress report 1994 on the collection of historic musical instruments of the Edinburgh University.
Myers.
[C-1340 in Q79]
British clavichord society at the open university, 11th March 1995.
Alexander-Max.
[C-1341 in Q79]
The grounded staff (sequel to C-1326).
Crookes.
[C-1342 in Q79]
Cutting thick veneers.
Gill.
[C-1343 in Q79]
Cork substitute.
Gill.
[C-1344 in Q79]
The inventor of the double-action pedal harp with fourchettes; Gröll versus Erard.
Baldwin.
[C-1345 in Q79]
Restoration report of English spinet by Stephen Keene, London, 1704.
Greenberg.
[C-1346 in Q79]
Reply to C-1329 on English organ pitches.
Segerman.
[C-1347 in Q79]
Response to Chiverton's C-1322 on lute belly shapes.
Segerman.
[C-1348 in Q79]
Simple design for lute rib shapes.
Chiverton.
[C-1349 in Q79]
German baroque lutes and overspun strings.
Peruffo.
[C-1350 in Q79]
More on Ramelli, loaded gut strings and gansars.
Peruffo.
[C-1351 in Q79]
More on roped strings and other knotty problems.
Downing.
[C-1352 in Q79]
Determining the step size of a recorder.
Loretto.
[C-1353 in Q79]
Recorder bore measuring.
Loretto.
[C-1354 in Q79]
Recorder bore measuring, using modified telescopic bore gauges.
Loretto.
[C-1355 in Q79]
Resonans, a software program for developing new wind instruments.
Bolton.
[C-1356 in Q79]
Technical drawings of musical instruments on microfiche, MFF Publications
[Plan in Q80]
The classical mandolin, 225 pp.
Sparks.
Reviewed by: Montagu
[C-1357 in Q80]
Seven Broadwoods; the evolution of an English piano.
Burnett.
Reviewed by: Montagu
[C-1358 in Q80]
the violin family and its makers in the British isles; an illustrated history and directory. 448 pp.
Harvey.
Reviewed by: Montagu
[C-1359 in Q80]
De clavicordo: proceedings of the international clavichord symposium, Magnano 9-11 Sept 1993.
Brauchli, Brauchli, Galazzo, ed..
Reviewed by: Bavington
[C-1360 in Q80]
Dulcimers in public collections.
Alcock.
[C-1361 in Q80]
Martin Routh's razor (further to C-1350).
Catch.
[C-1362 in Q80]
Response to C-1337 on wood science.
Segerman.
[C-1363 in Q80]
Response to Rawson's C-1339.
Segerman.
[C-1364 in Q80]
On the upsetting power of Occam's razor.
Segerman.
[C-1365 in Q80]
Once more, scholarship and disputes (further to C-1335).
Stroom.
[C-1366 in Q80]
Copyright, the status of FoMRHI and accuracy.
Stroom.
[C-1367 in Q80]
David Lasocki's Ganassi controversy (reply to 1333).
Loretto.
[C-1368 in Q80]
William who, from where?? (on Occam).
Loretto.
[C-1369 in Q80]
Recorder writings.
Loretto.
[C-1370 in Q80]
Praetorius's and surviving Nuremberg sackbut lengths and playing pitches.
Segerman.
[C-1371 in Q80]
On measuring the pitch of early wind instruments.
Segerman.
[C-1372 in Q80]
Mersenne's sackbut and pitch, plus playing with shawms.
Segerman.
[C-1373 in Q80]
Mersenne's pitch standard.
Segerman.
[C-1374 in Q80]
Undercutting small diameter finger holes on woodwind instruments: Goodacre's razor.
Goodacre.
[C-1375 in Q80]
Suppliers for Occam's razor.
Goodacre.
[C-1376 in Q80]
How to make a shelly hautbois.
Crookes.
[C-1377 in Q80]
Upon the harp with a solemn sound (sequel to C-1342).
Crookes.
[C-1378 in Q80]
On some early 17th century discussions of gracing.
Segerman.
[C-1379 in Q80]
Robert Greenberg, an obituary.
Barnes.
[C-1380 in Q80]
Withdrawal of ascription.
Greenberg.
[C-1381 in Q80]
Some comments on veneering with hot glue.
Hood.
[C-1382 in Q80]
The British ten foot organ.
Goetze.
[C-1383 in Q80]
Obituary Len Stanners.
Smith.
[C-1384 in Q81]
Length standards from Stone's New Mathematical Dictionary, 1726.
Cousen.
[C-1385 in Q81]
Philip Stubbes: anatomy of abuses, 1583 (music criticism).
Cousen.
[C-1386 in Q81]
The music of psalm 117 (sequel to C-1378).
Crookes.
[C-1387 in Q81]
On Stroom's C-1366. Segerman
[C-1388 in Q81]
An explanation to C-1370.
Loretto.
[C-1389 in Q81]
Bending wood for crummhorns.
Buck.
[C-1390 in Q81]
Folding viol backs.
Van Edwards.
[C-1391 in Q81]
Another mouldy idea.
Van Edwards.
[C-1392 in Q81]
Gansar lute strings.
Downing.
[C-1393 in Q81]
Catapult cordage - part 1, manufacture and properties.
Downing.
[C-1394 in Q81]
Catapult cordage - part 2, more speculation.
Downing.
[C-1395 in Q81]
A correction to C-1362.
Catch.
[C-1396 in Q81]
The `clearness' of early gut.
Segerman.
[C-1397 in Q81]
Pitch standards of early English organs - response to C-1383.
Segerman.
[C-1398 in Q81]
Veneering with hot hide glue - response to C-1382.
Rawson.
[C-1399 in Q81]
About `manacordo' and `sordino'.
Tiella.
[C-1400 in Q81]
Was the fortepiano built as a folk instrument?
Tiella.
[C-1401 in Q81]
Boalch, Mould. Makers of the harpsichord and clavichord 1440-1840, 3rd ed.
Reviewed by: Cole
[C-1402 in Q82]
Pollens. The early pianoforte.
Reviewed by: Cole
[C-1403 in Q82]
Pollens. The early pianoforte.
Reviewed by: Montagu
[C-1404 in Q82]
Larigot, Bulletin de l'association des collectionneurs d'instruments à vent. IV & V spécial & no.16.
Reviewed by: Montagu
[C-1405 in Q82]
Myers, ed. Historical musical instruments in the Edinburgh University collection (Cornets & Tubas, Oboes, Clarinets, Stringed instruments of regional cultures worldwide, Viols & violins).
Reviewed by: Montagu
[C-1406 in Q82]
Cat(apult)lin(e)s.
Catch.
[C-1407 in Q82]
The auloi of Porphyrius: some thoughts about the differences in pitch between wider and narrower pipes of the same length.
Bouterse.
[C-1408 in Q82]
The Ganassi bell diameter.
Loretto.
[C-1409 in Q82]
More reamers.
Chiverton.
[C-1410 in Q82]
Just a last(?) bang at Ockham (Occam).
Chiverton.
[C-1411 in Q82]
Narrow long hole augers.
Gill.
[C-1412 in Q82]
The case against hot hide glue.
Gill.
[C-1413 in Q82]
On the expression of emotion in music.
Segerman.
[C-1414 in Q82]
Anti FoMRHI people in the lute world.
Segerman.
[C-1415 in Q82]
Some aspects of string technology bearing on sound quality.
Segerman.
[C-1416 in Q82]
More on gut strings.
Peruffo.
[C-1417 in Q82]
A power law in the stringing of instruments with varying string length.
Segerman.
[C-1418 in Q82]
On describing the body shapes of stringed instruments.
Segerman.
[C-1419 in Q82]
On the hair tension during bowing.
Segerman.
[C-1420 in Q82]
J.S. Bach's `Fiauti d'echo': recorders off-stage.
Smith.
[C-1421 in Q82]
The instruments of the consort.
Segerman.
[C-1422 in Q82]
Wood treatment to improve sound.
Segerman.
[C-1423 in Q82]
list, new acquisitions at the Fiske Museum, Claremont, California, USA.
[Plan in Q83]
list, Muzeum Ceské Hudby, Praha
[Plan in Q83]
Hide glue defended.
Rawnsley.
[C-1424 in Q83]
Hot hide glue defended.
Bavington.
[C-1425 in Q83]
Lieder ohne Worte: emotion imaged by music.
White.
[C-1426 in Q83]
Who was HIE.S: or HIER.S: or HIERO.S?
Lyndon-Jones.
[C-1427 in Q83]
More thoughts on the Bassanos.
Lyndon-Jones.
[C-1428 in Q83]
Hautboy taxonomy.
Haynes.
[C-1429 in Q83]
Bell key acoustics.
Thomas.
[C-1430 in Q83]
Recorder woods - do they influence the sound?
Loretto.
[C-1431 in Q83]
Estimation of original bore in old instruments.
Gill.
[C-1432 in Q83]
Brass mouthpieces.
Chiverton.
[C-1433 in Q83]
Chiverton's Ockham bang.
Loretto.
[C-1434 in Q83]
More about reamers.
Gill.
[C-1435 in Q83]
Right angled reamers; addendum to C-1410.
Chiverton.
[C-1436 in Q83]
How accurate and understandable are measurements of woodwind instruments.
Bouterse.
[C-1437 in Q83]
Historical evidence for stewing soundboard wood.
Gill.
[C-1438 in Q83]
why old fiddles sound sweeter.
Hunt, Balsan.
[C-1439 in Q83]
Mace on overspun strings.
Segerman.
[C-1440 in Q83]
More on sinew fibre - a footnote to C-1394.
Downing.
[C-1441 in Q83]
Sinew strings ... yet again! Downing
[C-1442 in Q83]
Caul veneering.
Downing.
[C-1443 in Q83]
Making your own traditional purfling cutter.
Downing.
[C-1444 in Q83]
The cittern in consort.
Forrester.
[C-1445 in Q83]
Johann Socher's square piano of 1742.
Cole.
[C-1446 in Q83]
Chiverton's Ockham.
Segerman.
[Suppl in Q84]
Praetorius's recorder pitch.
Segerman.
[Suppl in Q84]
A response to C-1439, claiming wood changes on playing in.
Segerman.
[Suppl in Q84]
Myers, Parks, ed. Catalogues of historic musical instruments in the Edinburgh University collection, vol 2-H iv&v (small and large mouthpieces for brass, Montagu
[C-1447 in Q84]
Field, Myers, ed. Catalogues of historic musical instruments in the Edinburgh University collection, vol 2-K (ancillary equipment).
Reviewed by: Montagu
[C-1447 in Q84]
Larigot 17 (August 1995 & 18 (February 1996).
Reviewed by: Montagu
[C-1448 in Q84]
Falcon Møller. Music aloft - musical symbolism in the mural paintings of Danish medieval churches.
Montagu.
[C-1449 in Q84]
Rose. Talks with bandsmen.
Reviewed by: Montagu
[C-1450 in Q84]
Monroe. Adding percussion to medieval and renaissance music.
Reviewed by: Montagu
[C-1451 in Q84]
Gétrau, ed. Instrumentistes et luthiers Parisiens, 17-18th siècles.
Reviewed by: Montagu
[C-1452 in Q84]
Montagu. Musical instruments of the Bible.
Reviewed by: Segerman
[C-1453 in Q84]
Reply to C-1426 on emotion imaged by music.
Segerman.
[C-1454 in Q84]
The `dying fall', Caccini's `Exclamation' and a sigh.
Segerman.
[C-1455 in Q84]
New Braille codes for some early music notations.
Williams.
[C-1456 in Q84]
A visit to Paris and some of the museums there which have musical instruments.
Montagu.
[C-1457 in Q84]
Progress report 1995 on the collection of historic musical instruments of the Edinburgh University.
Myers.
[C-1458 in Q84]
The Mary Rose shawm.
Forster.
[C-1459 in Q84]
Hautboy and other taxonomy - further to C-1429.
Montagu.
[C-1460 in Q84]
Woodwind taxonomy.
Smith.
[C-1461 in Q84]
Long hole augers.
Swayne.
[C-1462 in Q84]
Reamers again (further to C-1435).
Chiverton.
[C-1463 in Q84]
A bit more on mouthpieces.
Chiverton.
[C-1464 in Q84]
Referring to C-1433 on brass mouthpieces.
Myers.
[C-1465 in Q84]
More on gut strings.
Peruffo.
[C-1466 in Q84]
Sinews: a search for improvement or an excuse for complacency?
Segerman.
[C-1467 in Q84]
Reply to Peter Forrester's C-1445 on English citterns.
Segerman.
[C-1468 in Q84]
Thicknessing.
Forrester.
[C-1469 in Q84]
More on the treatment of soundboards.
Barlow.
[C-1470 in Q84]
Wood structure and what happened in the Hunt & Balsan experiment.
Segerman.
[C-1471 in Q84]
Models for sound improvement on playing in.
Segerman.
[C-1472 in Q84]
Making a silk `sunburst' for a cabinet piano.
Mobbs, Mobbs.
[C-1473 in Q84]
Sutton Hoo lyre.
Segerman.
[Suppl in Q85]
Response to Roy Chiverton's C-1464.
Segerman.
[Suppl in Q85]
The English cittern in the 2nd quarter of the 17th century.
Segerman.
[Suppl in Q85]
Johann George Tromlitz, Ardal Powell, tr & ed. The keyed flute.
Reviewed by: Frank
[C-1474 in Q85]
The collection of musical instruments, Kunitachi College, Tokio, 2 vols, rev edition.
Sumi Gunji et alii.
Reviewed by: Montagu
[C-1475 in Q85]
Collection of paintings and sculptures, Wallraf-Richartz Museum, Cologne.
CD-ROM catalogue.
Reviewed by: Montagu
[C-1476 in Q85]
evolution, design and performance.
David Crombie. Piano.
Reviewed by: Cole
[C-1477 in Q85]
proceedings of the international clavichord symposium, Magnano, Italy 21-23 September 1995.
Bernard Brauchli, ed. De clavicordio II.
Reviewed by: Mobbs
[C-1478 in Q85]
A response to C-1454 & C-1426.
White.
[C-1479 in Q85]
In search of the well tuned clavier - I.
Lee.
[C-1480 in Q85]
Some points raised by Ephraim Segerman's reply, C-1468, on English citterns.
Forrester.
[C-1481 in Q85]
A response to C-1445 & C-1468.
Gill.
[C-1482 in Q85]
Vihuela string quality and thickness, and the Paris vihuela.
Segerman.
[C-1483 in Q85]
The changes from baroque to modern violins.
Segerman.
[C-1484 in Q85]
Dividing a circumference into five.
Loretto.
[C-1485 in Q85]
Old recorders for new (recorder patents).
Madgwick, Loretto.
[C-1486 in Q85]
Further to C-1485.
Heavens.
[Bull in Q86]
Further to C-1490. Segerman
[Suppl in Q86]
Further again to C-1485.
Segerman.
[Suppl in Q86]
Art Brownlow. The last trumpet - a history of the English slide trumpet.
Reviewed by: Montagu
[C-1487 in Q86]
Larigot, Bulletin de l'association des collectionneurs d'instruments à vent. VI spécial.
Reviewed by: Montagu
[C-1488 in Q86]
Pitch standards in northern Italy.
Segerman.
[C-1489 in Q86]
The musical instrument - an oscillating system affected by high internal stresses.
Weiss.
[C-1490 in Q86]
Leicester Early Music Festival 1997.
Bence.
[C-1491 in Q86]
Violin research 15 years ago.
Segerman.
[C-1492 in Q86]
On the (frequency) calculations in C-1480 by Lee.
Segerman.
[C-1493 in Q86]
Mersenne's iron and Ruckers 6 foot pitch.
Segerman.
[C-1494 in Q86]
Harpsichords and `Buntpapier'.
Pühringer.
[C-1495 in Q86]
Segerman, Godwin, Fludd, and the English cittern.
Forrester.
[C-1496 in Q86]
Reply to Forrester's C-1481 (on English citterns).
Segerman.
[C-1497 in Q86]
Response to C-1482 and the Wensler G30 cithrinchen stringing.
Segerman.
[C-1498 in Q86]
A provisional list of quinticlaves (alto ophicleides) in Europe and the United States.
Jones, Myers, Rice.
[C-1499 in Q86]
Comments to C-1486 (recorder patents).
Thomas.
[C-1500 in Q86]
Four baroque recorders at Sotheby's, November 1996 (Beukers, Stanesby, Denner).
Bouterse.
[C-1501 in Q86]
CD-RoM museum pictures.
Segerman.
[Bull in Q87]
The `renaissance' guitar?
Segerman.
[Bull in Q87]
Cittern controversy.
Segerman.
[Bull in Q87]
A DIY make of gut lute strings.
Segerman.
[Bull in Q87]
ACB, Anthony Baines, 1912-1997.
Montagu.
[C-1502 in Q87]
les collections instrumentales du Conservatoire de Paris, 1793-1993.
Florence Gétrau. Aux origines du musée de la musique.
Reviewed by: Montagu
[C-1503 in Q87]
Thomas Lerch. Vergleichende Untersuchung von Bohrungprofilen historischer Blockflöten des Barock (Comparative research of bore profile of historical baroque recorders).
Reviewed by: Bouterse
[C-1504 in Q87]
Goodacre's razor and undercutting woodwind finger holes.
Hailperin.
[C-1505 in Q87]
Response to C-1500 (recorder patents).
Loretto.
[C-1506 in Q87]
Response to Messrs Heavens and Segerman (C-1485).
Loretto.
[C-1507 in Q87]
Recorder window size.
Loretto.
[C-1508 in Q87]
Trust but don't believe what you see in pictures.
Segerman.
[C-1509 in Q87]
Chaos, fractals and musical instrument acoustics.
Segerman.
[C-1510 in Q87]
A correction and simplification for C-1493 (frequency calculations).
Segerman.
[C-1511 in Q87]
Scaling harpsichords soundboards.
Lloyd.
[C-1512 in Q87]
Instruments in 18th century Canada and a string maker of New France.
Downing.
[C-1513 in Q87]
Citt/Gitt.
Montagu.
[C-1514 in Q87]
Parchment roses in citterns, lute, baroque guitars and harpsichords.
van Weerd.
[C-1515 in Q87]
Response to C-1498 (cithrinchen stringing).
Gill.
[C-1516 in Q87]
Semitone step calculations in stringing.
Segerman.
[C-1517 in Q87]
Stradivari `cello' strings and bass viols.
Segerman.
[C-1518 in Q87]
Thick gut string, playing harmonics and stopping in mid air.
Segerman.
[C-1519 in Q87]
Some earlyish cello string information.
Segerman.
[C-1520 in Q87]
Further to C-1457 (Paris museums).
Hailperin.
[Bull in Q88]
Further to C-1485 and C-1507 (dividing a circle).
Heavens.
[Bull in Q88]
What about the history of tempo standards?
Segerman.
[Suppl in Q88]
Christina Visconti in focus (further to C-1518).
Segerman.
[Suppl in Q88]
Tricks in calculating equivalent diameters of unusual wound strings.
Segerman.
[Suppl in Q88]
West Dean College 10 day instrument making course.
Segerman(Y).
[C-1521 in Q88]
Warning against the Camwood firm.
Hailperin.
[C-1522 in Q88]
Is evidence to be explained or just accumulated? Reply to C-1516.
Segerman.
[C-1523 in Q88]
Parchment roses for harpsichords.
Rawson.
[C-1524 in Q88]
Harpsichord and `Buntpapier'.
Henning(R), Henning(U).
[C-1525 in Q88]
About Neupert harpsichord technology in the 30's.
Tiella.
[C-1526 in Q88]
In search of the well tuned clavier - II.
Lee.
[C-1527 in Q88]
The mathematics of tuning up a string.
Segerman.
[C-1528 in Q88]
A short history of the names `gittern' and `cittern'; reply to C-1514.
Segerman.
[C-1529 in Q88]
Citt/Gitt (cittern and gittern) again.
Montagu.
[C-1530 in Q88]
More on the English guitar and speculations on its origin.
Segerman.
[C-1531 in Q88]
Explanations of ways in which wood absorbs sound vibrations.
Segerman.
[C-1532 in Q88]
The dimensions of windings on a traditional wound string.
Segerman.
[C-1533 in Q88]
Recorder fingerings.
Bouterse.
[Bull in Q89]
Further to C-1528.
[Suppl in Q89]
Were early open-wound strings tigerlines?
[Suppl in Q89]
The burn marks on the insides of surviving English viol soundboards.
[Suppl in Q89]
Announcements & Queries: Clarinets by Koch.
Perini.
[art in Q89]
Announcements & Queries: Lyra da braccio and Lirone project.
Pomykalo.
[art in Q89]
Announcements & Queries: Music and Technology Research Seminar; 1997-1998.
Jones.
[art in Q89]
Philip Young. Woodwind instruments in the Oberösterreichisches Landesmuseum, Linz.
Reviewed by: Montagu
[C-1534 in Q89]
Swedish clavichords - Mikko Korhonen plays instant music.
Reviewed by: Montagu
[C-1535 in Q89]
Hardening and tempering tool steel.
Jenkins.
[C-1536 in Q89]
The Pipe and Tabor is alive and well and living in Euskadi.
Montagu.
[C-1537 in Q89]
The Bolhuis auction (1764) of musical woodwind instruments.
Bouterse.
[C-1538 in Q89]
The Selhof auction (1759) of musical woodwind instruments.
Bouterse.
[C-1539 in Q89]
Recorder voicing.
Loretto.
[C-1540 in Q89]
What happens when and after the clavichord tangent hits the string?
Segerman.
[C-1541 in Q89]
The purpose of cotton between the hurdy-gurdy wheel and string.
Segerman.
[C-1542 in Q89]
Origins of the `guitarra portuguesa'.
Segerman.
[C-1543 in Q89]
An amendment to C-1203.
Catch.
[C-1544 in Q89]
On Praetorius and the sizes of Renaissance bowed instruments.
Segerman.
[C-1545 in Q89]
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